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Ultra-light and completely self-contained, the Mackie PPM608 Professional Powered Mixer features two ridiculously robust power amps for mains and/or monitors (500W + 500W). With 1000 watts of system power, this mixer provides more raw power than the competition. Things can get pretty intense out there and your gear needs to be able keep up the pace. We custom designed the PPM608 with Class-D amps, which run cool and boast maximum efficiency to keep your sound pumping until they start kicking people out. We had to include Mackie’s proven Fast Recovery circuitry, eliminating the risk of pesky amp latching. The result is a distortion free mix even when pushing peak levels. The built-in limiter can go toe-to-toe with the most popular outboard stereo limiters used in live sound today, protecting your speakers from damage. The limiter’s attack and release times are specifically selected to address full-bandwidth music and will not muddy things up by adding any unwanted pumping. PPM mixers are surprisingly lightweight, but tremendously powerful. You can push the PPM608 to its maximum output, distortion free!
The Right Tools For The Job Most powered mixers out there have either a limited set of mixing tools—keeping your mix decidedly average—or they cram in a mind-boggling amount of lame effects that you would never use. Every professional carries the right tools for the job, so the PPM608 comes with a great-sounding, highly useable toolkit:
Premium Mackie preamplifiers ensure transparent, low-noise/high-headroom characteristics right at the front of the mixer. The PPM608 offers 8 mic/line channels with trusted Mackie preamplifiers.
True 48V phantom power allows every condenser mic to perform at its full potential.
Legendary 3-band active EQ straight off the tremendously popular VLZ3 mixer series. Sweetening any channel is a breeze.
Individual channel inserts (ch. 1-6) allow compressors and other outboard processing on critical instrument or voice channels. Don’t leave the lead singer hanging!
Dedicated in-line compressors on channels 1-4 bring simple but sweet dynamics to our PPM mixers.
Dual graphic EQs are provided for use with mains and monitors. These EQs feature tight, constant-Q Filters that effect only the frequency range you’ve intended, unlike many inexpensive built-in graphic EQs that will remain nameless.
Simple stuff like useable main and monitor output metering make a huge difference in your mix. Sorry, but 5 LED meters at the output doesn’t tell you that you’re about to clip. Our high-resolution 12-segment meters enable more visibility of your signal, and the super quick response of the meters allows what you see to translate quickly and easily to what you hear.
“Gig Ready” Effects The all-new RMFX+ (Running Man FX) 32-bit effects processor brings “gig ready,” useable effects to your mixes. Why scroll through hundreds of bizarre effects, like “ghost ambience?” Yeah, like anyone even knows what that means. Or how about winners like “delay+phaser2”, which you’ll never use in a million years. Those other mixers will leave your fingers raw from all the scrolling you have to do. The RMFX+ processor features 24 solid FX that are known for their utility and usability. Small, medium and large room reverbs with the choice of a warm or bright characteristic put your mix in the right space. Simple, rich choruses and an array of practical delays enable you to create professional mixes without requiring a two-hour sound check. Also, the RMFX+ is the first onboard processor to feature a user tap function. So if you want to use a delay, but our preset delay time doesn’t work, you can tap it in instantly! Basically, we’ve delivered a full rack of gear at your fingertips that is easy to master, allowing you to look and sound really good at your next gig. Really, really good.
Absolutely Armored The PPM608 is fully armored inside a solid steel chassis, helping to protect the electronics from any potential environmental hazard (Think beer.) Extremely durable polycarbonate ABS end caps will protect the PPM608 from years of abuse caused by tossing it in and out of the truck or falling off the stool at rehearsal. Each PPM608 features rounded front with recessed controls, so if it rolls on its face in the van or gets kicked over at the show, you can be sure that it will emerge damage-free. Two metal side handles allow you to easily pick it up and get going. It’s ultra-light so you won’t need both hands!
Matching Made Easy Look, we want to make things as easy for you as possible. Matching speakers to amps can suck the fun out of an otherwise pleasant trip to the music store. Keeping that in mind, PPM mixers and Mackie passive speakers were made for each other. From our popular C series (C300/200) to our S series (S200), we designed our mixer to match the power requirements of our passive speakers perfectly. So if you want a truly professional set of tools for your next gig, including a Mackie mixer, onboard compressors, Fast Recovery amplification, twin graphic EQs, and “gig-ready” effects, pair up a PPM608 and any Mackie Precision Passive loudspeakers for the ultimate, portable, professional P.A. system.
Looking for renowned Mackie sound quality in a portable, lightweight package? Want to instantly upgrade the sound of your existing powered mixer or amplifier without breaking the bank? Our C200 2-Way Portable Passive Loudspeakers put the superior clarity, wide dispersion, and legendary ergonomics of the SRM Series within reach of any serious musician, DJ, or small club. These compact-yet-loud speakers can be pole-mounted for use as a small full-range PA system, combined with subwoofers as needed, and even employed as high-quality passive floor monitors.
DESIGNED AND TUNED BY EAW The new C Series Passive Loudspeakers represent Mackie's first lightweight passive speakers designed and tuned exclusively by the Eastern Acoustic Works (EAW) loudspeaker engineering team--the same folks responsible for designing loudspeaker systems for the Super Bowl, the Olympics and the Vatican. And although loudspeakers for these mega-systems cost exponentially more than the humble C200, some of the same concepts applied, namely: designing custom 10" LF drivers with a frequency range from 59 Hz – 3000 Hz and a 2" voice coil that can take a pounding. And a 1.4" High-Frequency titanium Driver and Horn providing a wide, controlled dispersion pattern and precise reproduction of the critical 1000 Hz – 20,000 Hz upper mid-range and high frequencies
CROSSOVERS TUNED TO PERFECTION Tuning a crossover (i.e. voicing a system), involves dozens of critical decisions that many manufacturers overlook. In the end, it is all about balancing the design so that you get the best subjective results from the speaker while maintaining a good technical implementation. The crossover in the C Series is a unique Low Impedance Compensated Crossover (LICC) design with an asymmetrical slope. With EQ and crossover points meticulously chosen so that beamwidth patterns match in both drivers, C Series loudspeakers offer natural sound at all volume levels. Read more.
ULTRA-WIDE DISPERSION A loudspeaker's dispersion characteristic shouldn't be lame just because its compact in size. We know that venues like coffee houses and small theatre / rec rooms can be hard to cover. Owners usually have to make do with odd shaped rooms and fixtures placed wherever they fit.
The C200's high-frequency compression driver is mounted on an acoustically non-resonant exponential waveguide, providing a wide, controlled dispersion pattern and precise reproduction of the critical upper mid-range and high frequencies. The result is an unbelievably smooth off-axis response that allows everyone in the audience to experience the same high-resolution audio no matter where they are seated.
THINKING INSIDE THE BOX Anyone with a factory can build a box and stick some speakers in it (and that's just what many do). But low-frequency transducers in square boxes can create resonances that reflect off the rear wall and pass through the woofer cone out of phase, and ready to mess up your sound. The C200 enclosure is an asymmetrical monocoque design with no parallel surfaces, causing mid and high frequency resonances to be reflected at angles into internal damping materials, instead of interfering with the woofer doing its thing.
BUILT FOR SERIOUS ABUSE Designed for use with existing speakers and power amps (and optimized for use with the Mackie PPM Series), the C200 loudspeakers are passive versions of our industry-standard SRM350 portable active loudspeakers. These speakers' injection-molded composite chassis is built for the rigors of the road. And they shrug off impacts that would turn those cheap-o, fuzz covered wood box speakers into toothpicks.
MAKES A WONDERFUL FLOOR MONITOR TOO! A good floor monitor plays loudly without generating feedback through vocal microphones. A poor floor monitor, on the other hand, will generate feedback just about the time you turn it up to a useable level. Floor monitor feedback is often caused by uneven frequency response and dispersion; some frequencies arrive at the microphone much louder than others. These "spikes" are what trigger feedback as the floor monitor volume is increased. The C200 has incredibly smooth, spike-free response and dispersion over a wide range of treble frequencies. So you can increase its volume without boosting those nasty, feedback-inducing spikes. Without extensive tuning, no passive speaker or specialized floor wedge in this class can even come close.
WE ARE VAT REGISTERED AUTHORISED UK DEALERS Our staff have been in the Pro Audio Sales and Hire industry for over 35 years and offer support like no other. Should you buy this or any product from us you would be given our tech support mobile number, this number would accept calls at all reasonable times, seven days a week (not between 10pm-8am) and offer help and assistance with operation and advice on this product and any other aspect of your system within our knowledge, so unlike most music shops, when out on a gig you would not be left alone.
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If this product has or uses DSP we would offer to program to match your system.
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New products carry a 1 year limited warranty unless manufacturer warranty period is longer. Please carefully read all manuals supplied with an item before you report it as faulty. There may be a relevant function that is not immediately obvious. The cost of returning goods for warranty is at customer expense.
Please note that Warranty provisions do not cover normal wear-and-tear or consumable items such as DJ mixer cross faders, turntable styli or recordable media. Carriage costs are payable for any item found not to be faulty.
Within 28 days from receipt of goods
If upon return to AA SYSTEMS an item is inspected and agreed to be faulty, at the discretion of AA SYSTEMS a replacement or refund will be offered. You should notify AA Systems Returns Department to organise collection of suspected faulty goods. Goods must be returned as new, complete with all accessories including manuals, cables and software in the original packaging. Supporting paperwork in the form of a note explaining the suspected problem, and the AA SYSTEMS invoice or packing slip must be included. Goods must be protected for transit by a double box or cardboard outer. Please note that replacements or refunds are not able to be processed unless these procedures are followed. Please note that no liability will be accepted for goods returned without original packaging.
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If a fault develops during this period, AA SYSTEMS Returns Department should be notified of your intention to return the equipment. AA SYSTEMS will issue a warranty returns number, (this is not an admission of warranty status) Goods must be returned in original or as good as packaging, eg flight case protection, for warranty repairs to be considered. AA SYSTEMS will then return the equipment when repairs have been carried out. If upon inspection, the fault is found to be outside of the manufacturer's warranty conditions, a charge will be made for repair of the goods and their subsequent return.
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