Details about V Large Diptych Original Oil Painting on Two Canvases Signed by K WainSee original listing
“Signed Original Artwork. Painting Direct from the Artist Studio.Premium Artist canvas mounted on a ”... Read more
11 Aug, 2014 14:13:49 BST
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Malvern, United Kingdom
|Seller notes:||“Signed Original Artwork. Painting Direct from the Artist Studio.Premium Artist canvas mounted on a wooden frame, edges of the canvas are painted unless otherwise specified.”|
|Date of Creation:||
Amazing Opportunity !!
Due to relocation I am selling a collection of Original Oil Paintings on Auction, this is a one off chance to purchase Signed original work...
Beautiful colourful and fresh diptych very striking piece direct from the studios Signed Original Oil Painting on Canvas by Kirsty Wain -
Each canvas is width 81 cm (32 inches) x 101 cm (40 inches)
Total painting measures 162 cm x 101 cm (64 x 40 inches)
'Logging in the Malvern Hills'
Oil on two Canvases
Signed Original Painting Wain 13
Forthcoming Exhibition: Malvern Theatre Autumn 2014
My landscape work aims to capture the essence of a place, The method is to work relatively freely, using colour and line to create a rhythmic composition. Echoes of impressionism are reflected in the work also with elements of naive art and abstract expressive painting. I work with thick textured paint applying to the surface in layers adding patterns, light and shade. Elements of my abstract work are found within the landscape painting. I am inspired by the natural world and its ever changing presence, the forms of trees, curves of land, beautiful and amazing skies. Places are special to me as they trigger memories of a moment or a time, whilst to the viewer a painting of a place can be somewhere wonder about, reflect upon and enjoy.
I started creating watercolour’s in order to aid my preparation for painting large scale oil paintings. Painting the scenes with watercolour first enable me to break down information within a landscape. I enjoy the quick nature this medium. Initially these works were used for exercising my creativity, however as I painted more they began to take on their own place within my portfolio. I can experiment with shapes & colours working in a layering style similar to that of oil painting.
My abstract work has a more spontaneous nature, I work quickly and use a variety of methods, layering, scrapping, throwing and flicking paint as well as scratching into the surface. Some abstracts are complete in one working session, whilst others take months, sometimes years to create as different elements are composed together to create to final piece. I like to combine mark making with elements of control, sometimes adding paper collage and working over the top. Abstracts explore themes of nature whilst also references to life events be they personal or social reflections. My abstract work relies more on my instinct as an artist I work on a painting without any pre-conceived ideas. Working to music has a profound influence on my working method
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