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Details about  c. 1889 - "In A New England Forest" - Elbridge Kingsley - mounted engraving

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c. 1889 - "In A New England Forest" - Elbridge Kingsley - mounted engraving
c-1889-In-A-New-England-Forest-Elbridge-Kingsley-mounted-engraving
Item Ended
Item condition:
--not specified
Ended:
11 Oct, 2013 05:00:50 BST
Starting bid:
US $8.95
Approximately £5.29(including postage)
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Postage:
US $16.75 (approx. £9.91) USPS First Class Mail Intl / First Class Package Intl Service | See details
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Item location:
Canterbury, Connecticut, United States

Description

eBay item number:
321219657466
Seller assumes all responsibility for this listing.

Item specifics

Listed By:

Dealer or Reseller

Style:

Realism

Print Type:

Engraving

Size Type/Largest Dimension:

Small (Up to 14")

Subject:

Landscape

Date of Creation:

1800-1899

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Categories

Engraving:

“IN A NEW ENGLAND FOREST

BY

ELBRIDGE KINGSLEY

(1841-1918)

c. 1890

Being offered at auction is a beautiful engraving by Elbridge Kingsley (American artist, 1841-1918) entitled “New England Forest.  New England Forest was Kingsley’s first original work to be published, and it appeared in The Century Magazine November 1882.  The piece is undated but appears to be from the later 19th century. Kingsley claimed that the block was engraved direct from nature. Noted on a small legend at the lower right edge of the engraving, are the words, “Engraved on wood directly from nature by Elbridge Kingsley.”

Kingsley writes,

“The subject was photographed on the block in the beginning, but the photographic copy was of no assistance in getting the true values of tone and color. 

This engraving was produced almost entirely with one graver, the block being held in the hand.  For a part of the time I left the car and, going out upon the scene itself, worked with the sunlight upon the block.  This tends to force the mind away from finish in the mere execution; but there is sure to be a compensation in the greater breadth of the masses by the keeping of the whole under the eye at once, and by a careful study of the refined portions of the scene at hand a greater delicacy can be reached than can be found in a shining line under a magnifying glass.  There was necessarily, much preparatory material belonging to the work, but nothing as a whole was photographed—nothing that would be recognized as such—and mch was cut away of that which was traced at the outside, and other forms were drawn in with the grave as the worked progressed.  The leading thought was to be faithful to the great masses and values, simplifying the forms as much as possible.  To hold the mind up to its first impressions required constant effort, and all the ordinary means employed in getting from and material were of no use whatever.  It was a matter of simple feeling and nerve power held up to their best level till the work was completed. 

One reviewer writes: 

This subject was followed by several others of Kingsley’s own designs, all equally characterized by imaginative quality.  The mystery of the great waters must have attracted Kingley in like measure with the elemental woods as he listened to the never-ceasing beating of the waves to like to murmuring of the wind-stirred trees.  “At Sea,” “A Rock in the Sea,” and “The Wreck,” show how he was impressed by the unrelenting empire of the vast deep, but circumstances led him almost entirely in the direction of landscape.  He illustrated Whittier’s ‘Poems of Nature,” published by Houghton, Mifflin & Company, with a number of original subjects.   An article entitled “Signs and Seasons,” by John Burroughs, was embellished by seven or eight nature subjects.  “White Birches,” engraved from a painting made from his sketching car, earned for Kingsley a gold medal at the Paris Exposition, 1889. . . .

CONDITION:  An original print on a very thin tissue affixed to a period card stock upon which is printed “In A New England Forest.”  The print measures 5” x 8” tall.  Card, 9 1/2" x 12" tall.  There is a very thin outer margin on the print.  Corners tips show a dab of brown where the print was affixed to the cardstock.  The print is in mint condition.  Cardstock with title shows some uniform age mellowing with only occasional very light and small foxing spits.  There are two tiny holes to the upper left and right where the picture had been pinned at one time.  To the far left margin there is a very small lighter spot. 

A nice piece depicting Kingsley’s first original print to appear before the public eye. 

PAYMENT: Paypal

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