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About this product
- Author(s)Arthur C. Danto
- PublisherPrinceton University Press
- Date of Publication21/09/2014
- GenreFine Arts / Art History
- Series TitlePrinceton Classics
- Place of PublicationNew Jersey
- Country of PublicationUnited States
- ImprintPrinceton University Press
- Content Note18 halftones.
- Weight257 g
- Width140 mm
- Height216 mm
- Spine19 mm
- Foreword byLydia Goehr
- Format DetailsTrade paperback (US)
- Edition StatementRevised & updated ed
- Table Of ContentsList of Illustrations ix Foreword to the Princeton Classics Edition xi Preface xvii Acknowledgments xxi CHAPTER ONE Introduction: Modern, Postmodern, and Contemporary 3 CHAPTER TWO Three Decades after the End of Art 21 CHAPTER THREE Master Narratives and Critical Principles 41 CHAPTER FOUR Modernism and the Critique of Pure Art: The Historical Vision of Clement Greenberg 61 CHAPTER FIVE From Aesthetics to Art Criticism 81 CHAPTER SIX Painting and the Pale of History: The Passing of the Pure 101 CHAPTER SEVEN Pop Art and Past Futures 117 CHAPTER EIGHT Painting, Politics, and Post-Hisotrical Art 135 CHAPTER NINE The Historical Museum of Monochrome Art 153 CHAPTER TEN Museums and the Thirsting Millions 175 CHAPTER ELEVEN Modalities of History: Possibility and Comedy 193 Index 221
- Author BiographyArthur C. Danto (1924-2013) was the Johnsonian Professor Emeritus of Philosophy at Columbia University and art critic for the Nation from 1984 to 2009. His books include What Art Is and Encounters and Reflections, winner of the 1990 National Book Critics Circle Award in Criticism. Lydia Goehr is professor of philosophy at Columbia University. Her books include The Imaginary Museum of Musical Works and Elective Affinities.
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