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Music, Space and Place: Popular Music and Cultural Identity by Bennett, Andy
by Bennett, Andy | PB | VeryGood
US $29.64
Approximately£22.09
Condition:
“May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend ”... Read moreAbout condition
Very Good
A book that has been read and does not look new, but is in excellent condition. No obvious damage to the book cover, with the dust jacket (if applicable) included for hard covers. No missing or damaged pages, no creases or tears, no underlining or highlighting of text, and no writing in the margins. Some identifying marks on the inside cover, but this is minimal. Very little wear and tear. See the seller’s listing for full details and description of any imperfections.
- Buy it nowMusic, Space and Place: Popular Music and Cultural Identity by Bennett, Andy
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Estimated between Thu, 24 Jul and Mon, 28 Jul to 94104
Located in: Aurora, Illinois, United States
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eBay item number:146406981131
Item specifics
- Condition
- Very Good
- Seller notes
- Binding
- Paperback
- Book Title
- Music, Space and Place
- Weight
- 1 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 9780754655749
About this product
Product Identifiers
Publisher
Routledge
ISBN-10
0754655741
ISBN-13
9780754655749
eBay Product ID (ePID)
52172320
Product Key Features
Number of Pages
238 Pages
Language
English
Publication Name
Music, Space and Place : Popular Music and Cultural Identity
Publication Year
2005
Subject
Genres & Styles / Rap & Hip Hop, General, Popular Culture, Genres & Styles / International, Genres & Styles / Pop Vocal
Type
Textbook
Subject Area
Music, Social Science
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
15.2 Oz
Item Length
9.2 in
Item Width
6.2 in
Additional Product Features
Intended Audience
College Audience
Illustrated
Yes
Table Of Content
Contents: Introduction, Sheila Whiteley; Music, space and place, Andy Bennett; Rap and Hip Hop: community and identity, Sheila Whiteley; Musical production and the politics of desire, Stan Hawkins. Part 1 Music Space and Place: The musical construction of the diaspora: the case of reggae and Rastafari, Sarah Daynes; Who is the 'other' in the Balkans? Local ethnic music as a different source of identities in Bulgaria, Claire Levy; 'Power-geometry' in motion: space, place and gender in the lyra music of Crete, Kevin Dawe; Interrogating the production of sound and place: the Bristol phenomenon, from Lunatic Fringe to Worldwide Massive, Peter Webb. Part 2 Rap and Hip Hop: Community and Cultural Identity: The emergence of rap Cubano: an historical perspective, Deborah Pacini Hernandez and Reebee Garofalo; Doin' damage in my native language: the use of 'resistance vernaculars' in Hip Hop in Europe and Aotearoa/New Zealand, Tony Mitchell; Rapp'in' the Cape: style and memory, power in community, Lee Watkins. Part 3 Musical Production and the Politics of Desire: Positioning the producer: gender divisions in creative labour and value, Emma Mayhew; 'Believe': vocoders, digital female identity and camp, Kay Dickinson; On performativity and production in Madonna's 'Music', Stan Hawkins; He's got the power: the politics of production in girl group music, Jacqueline Warwick. Bibliography; Index.
Synopsis
Music, Space and Place examines the urban and rural spaces in which music is experienced, produced and consumed. The editors of this collection have brought together new and exciting perspectives by international researchers and scholars working in the field of popular music studies. Underpinning all of the contributions is the recognition that musical processes take place within a particular space and place, where these processes are shaped both by specific musical practices and by the pressures and dynamics of political and economic circumstances.Important discourses are explored concerning national culture and identity, as well as how identity is constructed through the exchanges that occur between displaced peoples of the world's many diasporas. Music helps to articulate a shared sense of community among these dispersed people, carving out spaces of freedom which are integral to personal and group consciousness. A specific focal point is the rap and hip hop music that has contributed towards a particular sense of identity as indigenous resistance vernaculars for otherwise socially marginalized minorities in Cuba, France, Italy, New Zealand and South Africa. New research is also presented on the authorial presence in production within the domain of the commercially driven Anglo-American music industry. The issue of authorship and creativity is tackled alongside matters relating to the production of musical texts themselves, and demonstrates the gender politics in pop.Underlying Music, Space and Place, is the question of how the disciplines informing popular music studies - sociology, musicology, cultural studies, media studies and feminism - have developed within a changing intellectual climate. The book therefore covers a wide range of subject matter in relation to space and place, including community and identity, gender, race, 'vernaculars', power, performance and production., Music, Space and Place examines the urban and rural spaces in which music is experienced, produced and consumed. The editors of this collection have brought together new and exciting perspectives by international researchers and scholars working in the field of popular music studies. Underpinning all of the contributions is the recognition that musical processes take place within a particular space and place, where these processes are shaped both by specific musical practices and by the pressures and dynamics of political and economic circumstances. Important discourses are explored concerning national culture and identity, as well as how identity is constructed through the exchanges that occur between displaced peoples of the world's many diasporas. A specific focal point is the rap and hip hop music that has contributed towards a particular sense of identity as indigenous resistance vernaculars for otherwise socially marginalized minorities in Cuba, France, Italy, New Zealand and South Africa. New research is also presented on the authorial presence in production within the domain of the commercially driven Anglo-American music industry. The issue of authorship and creativity is tackled alongside matters relating to the production of musical texts themselves, and demonstrates the gender politics in pop., Music, Space and Place examines the urban and rural spaces in which music is experienced, produced and consumed. The editors of this collection have brought together new and exciting perspectives by international researchers and scholars working in the field of popular music studies. Underpinning all of the contributions is the recognition that musical processes take place within a particular space and place, where these processes are shaped both by specific musical practices and by the pressures and dynamics of political and economic circumstances. Important discourses are explored concerning national culture and identity, as well as how identity is constructed through the exchanges that occur between displaced peoples of the world's many diasporas. Music helps to articulate a shared sense of community among these dispersed people, carving out spaces of freedom which are integral to personal and group consciousness. A specific focal point is the rap and hip hop music that has contributed towards a particular sense of identity as indigenous resistance vernaculars for otherwise socially marginalized minorities in Cuba, France, Italy, New Zealand and South Africa. New research is also presented on the authorial presence in production within the domain of the commercially driven Anglo-American music industry. The issue of authorship and creativity is tackled alongside matters relating to the production of musical texts themselves, and demonstrates the gender politics in pop. Underlying Music, Space and Place, is the question of how the disciplines informing popular music studies - sociology, musicology, cultural studies, media studies and feminism - have developed within a changing intellectual climate. The book therefore covers a wide range of subject matter in relation to space and place, including community and identity, gender, race, 'vernaculars', power, performance and production.
LC Classification Number
ML3470.M896 2005
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- c***m (410)- Feedback left by buyer.Past 6 monthsVerified purchaseWOW!; I cannot believe this 3 Days to Hawaii! ; AAA+++; Excellent Service; Great Pricing; Fast Delivery-Faster Than Expected to Hawaii!; Shipped 05/05, Mon, Received 05/08, Thu to Hawaii using free shipping; USPS Ground Mail, Book in Excellent Condition--Better Than Described ; TLC Packaging; Excellent Seller Communication, Sends updates . Highly Recommended!, Thank you very much!
- a***r (375)- Feedback left by buyer.Past monthVerified purchasei am so happy to have every book of this series! the price of the book & the shipping is very reasonable! the book was as described & was in excellent condition! it was shipped quickly & arrived quickly! the books are always packaged carefully so they arrived undamaged! the communication from the sellers is always excellent--they go out of their way for excellent customer service! i have been a repeat customer from this seller & always will be! this seller is the best bookseller on ebay!
- l***b (330)- Feedback left by buyer.Past monthVerified purchase5 STARS on ALL aspects... ITEM AS DESCRIBED - 5 STARS... PACKAGING & SHIPPING - 5 STARS... VALUE OF ITEM RECEIVED - 5 STARS... COMMUNICATION - 5 STARS. Would highly recommend this seller to all Ebay buyers without any reservations. Thanks again for your business with BB812, and we do appreciate your care and consideration of our offer. HAPPY EBAY LIFE !!!