Mutable : Ceramic and Clay Art in India Since 1947 by Sindhura DM (2021, Trade Paperback)
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Mutable : Ceramic and Clay Art in India Since 1947, Paperback by M., Sindhura D.; Garimella, Annapurna (INT); Michael, Kristine (CON), ISBN 9385360566, ISBN-13 9789385360565, Brand New, Free shipping in the US This volume is the first major publication on the vast varieties of ceramic histories and practices in India. The result of the 2017 exhibition `Mutable' at the Piramal Art Museum, this book archives the work of hereditary potters, industrial ceramics, studio pottery and artists who use clay as a medium.
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About this product
Product Identifiers
PublisherMapin Publishing Pvt. The Limited
ISBN-109385360566
ISBN-139789385360565
eBay Product ID (ePID)18050399041
Product Key Features
Book TitleMutable : Ceramic and Clay Art in India since 1947
Number of Pages204 Pages
LanguageEnglish
TopicCollections, Catalogs, Exhibitions / General, Ceramics, Decorative Arts, Asian / Indian & South Asian
Publication Year2021
IllustratorYes
GenreDesign, Art
AuthorSindhura Dm
FormatTrade Paperback
Dimensions
Item Height0.8 in
Item Weight47.4 Oz
Item Length11.1 in
Item Width11.1 in
Additional Product Features
Intended AudienceTrade
LCCN2020-331188
Dewey Edition23
Dewey Decimal738.0954
Synopsis* This volume is the first major publication on the vast varieties of ceramic histories and practices in India* The result of the 2017 exhibition 'Mutable' at the Piramal Museum of Art, this book archives the work of hereditary potters, industrial ceramics, studio pottery and artists who use clay as a medium* Featuring many previously unseen picturesThis volume is the first major publication on the vast varieties of ceramic histories and practices in India. The result of the 2017 exhibition 'Mutable' at the Piramal Museum of Art, this book archives the work of hereditary potters, industrial ceramics, studio pottery and artists who use clay as a medium.Situated within the larger context of the post-Independence craft revival, this volume pays keen attention to the trans-national histories of practice through five sections. The section Shift explores the local and international lineages of Indian studio pottery. Object discusses the ways in which clay has been a unique medium of expression for many artists. Utility considers the development of Indian ceramic industries, through lenses of economics and class. Form takes as its subject hereditary potters who negotiate modern-day artistic spaces. Perception focuses on the low-fired water container and its web of connections with its makers and users. The very mutability of clay and its shaper and the resulting dynamism, that produces both tensions and opportunities, are at the center of this book.