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Imperialism at Home: Race and Victorian Women's Fiction (Reading Women Writing),

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Condition:
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Some pencil underlining and writing. Good paperback, bumped/creased with shelfwear; may have ... Read moreAbout condition
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Item specifics

Condition
Good
A book that has been read, but is in good condition. Minimal damage to the book cover eg. scuff marks, but no holes or tears. If this is a hard cover, the dust jacket may be missing. Binding has minimal wear. The majority of pages are undamaged with some creasing or tearing, and pencil underlining of text, but this is minimal. No highlighting of text, no writing in the margins, and no missing pages. See the seller’s listing for full details and description of any imperfections. See all condition definitionsopens in a new window or tab
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“Some pencil underlining and writing. Good paperback, bumped/creased with shelfwear; may have ...
Publication Name
Imperialism at Home: Race and Victorian Women's Fiction (Reading
Type
Textbook
ISBN
9780801482557

About this product

Product Identifiers

Publisher
Cornell University Press
ISBN-10
0801482550
ISBN-13
9780801482557
eBay Product ID (ePID)
289766

Product Key Features

Book Title
Imperialism at Home : Race and Victorian Women's Fiction
Number of Pages
232 Pages
Language
English
Topic
Women Authors, General, Semiotics & Theory
Publication Year
1996
Genre
Literary Criticism
Author
Susan Meyer
Book Series
Reading Women Writing Ser.
Format
Trade Paperback

Dimensions

Item Height
0.7 in
Item Weight
16 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Trade
LCCN
95-049466
Reviews
"Meyer's readings are most interesting when she charts the different ways in which the metaphorical linkage between gender and race rebellion collapses or is rewritten as the narrative proceeds. By giving us a complex sense of the multiple routes the connection between race and gender could take, Meyer's book beautifully maps out the ideological limits of what Raymond Williams calls a 'structure of feeling'"--Elsie B. Michie, Modern Philology, Meyer's readings are most interesting when she charts the different ways in which the metaphorical linkage between gender and race rebellion collapses or is rewritten as the narrative proceeds. By giving us a complex sense of the multiple routes the connection between race and gender could take, Meyer's book beautifully maps out the ideological limits of what Raymond Williams calls a 'structure of feeling'., "Meyer's readings are most interesting when she charts the different ways in which the metaphorical linkage between gender and race rebellion collapses or is rewritten as the narrative proceeds. By giving us a complex sense of the multiple routes the connection between race and gender could take, Meyer's book beautifully maps out the ideological limits of what Raymond Williams calls a 'structure of feeling'"-Elsie B. Michie, Modern Philology
Dewey Edition
20
Grade From
College Graduate Student
Dewey Decimal
823/.809355
Synopsis
The implicit link between white women and "the dark races" recurs persistently in nineteenth-century English fiction. Imperialism at Home examines the metaphorical use of race by three nineteenth-century women novelists: Charlotte Brontë, Emily Brontë, and George Eliot. Susan Meyer argues that each of these domestic novelists uses race relations as a metaphor through which to explore the relationships between men and women at home in England. In the fiction of, for example, Anthony Trollope and Charles Dickens, as in nineteenth-century culture more generally, the subtle and not-so-subtle comparison of white women and people of color is used to suggest their mutual inferiority. The Bronte sisters and George Eliot responded to this comparison, Meyer contends, transforming it for their own purposes. Through this central metaphor, these women novelists work out a sometimes contentious relationship to established hierarchies of race and gender. Their feminist impulses, in combination with their use of race as a metaphor, Meyer argues, produce at times a surprising, if partial, critique of empire. Through readings of Jane Eyre , Wuthering Heights , The Mill on the Floss , Daniel Deronda , and Charlotte Brontë's African juvenilia, Meyer traces the aesthetically and ideologically complex workings of the racial metaphor. Her analysis is supported by careful attention to textual details and thorough grounding in recent scholarship on the idea of race, and on literature and imperialism., The implicit link between white women and "the dark races" recurs persistently in nineteenth-century English fiction. Imperialism at Home examines the metaphorical use of race by three nineteenth-century women novelists: Charlotte Brontë, Emily Brontë, and George Eliot. Susan Meyer argues that each of these domestic novelists uses race..., The implicit link between white women and "the dark races" recurs persistently in nineteenth-century English fiction. Imperialism at Home examines the metaphorical use of race by three nineteenth-century women novelists: Charlotte Bront , Emily Bront , and George Eliot. Susan Meyer argues that each of these domestic novelists uses race relations as a metaphor through which to explore the relationships between men and women at home in England. In the fiction of, for example, Anthony Trollope and Charles Dickens, as in nineteenth-century culture more generally, the subtle and not-so-subtle comparison of white women and people of color is used to suggest their mutual inferiority. The Bronte sisters and George Eliot responded to this comparison, Meyer contends, transforming it for their own purposes. Through this central metaphor, these women novelists work out a sometimes contentious relationship to established hierarchies of race and gender. Their feminist impulses, in combination with their use of race as a metaphor, Meyer argues, produce at times a surprising, if partial, critique of empire. Through readings of Jane Eyre , Wuthering Heights , The Mill on the Floss , Daniel Deronda , and Charlotte Bront 's African juvenilia, Meyer traces the aesthetically and ideologically complex workings of the racial metaphor. Her analysis is supported by careful attention to textual details and thorough grounding in recent scholarship on the idea of race, and on literature and imperialism.
LC Classification Number
PR878.R34M49 1996

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    Carefully packaged book- arrived wrapped in plastic bag and shipped in cardboard box. As a frequent book buyer I appreciate this as so many books are just crammed into a plastic shopping bag and sent on their way- sometimes always hanging out of the bag. I know that Midtown Book Seller books will arrive as described. Shipped promptly. I’d highly recommend them as a seller.
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    Book was in very good condition as described in the listing. It looked almost new, in fact, but the pages did have some yellowing around the edges, a sign of its age. The seller did an excellent job of wrapping and packing the book for shipment, which I greatly appreciate! He has earned his 100% feedback rating, I'd say. I'm extremely pleased with the seller and this transaction. Thank you!
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    The book arrived in phenomenal condition, was very well packaged and protected better then described! The price was also fair, this was my first time buying from this seller but I'm very satisfied! I'll definitely be doing business again with this seller and I'll definitely be back for more I highly recommend this seller!