About this product

Product Identifiers

PublisherEdinburgh Tea & Coffee Company University Press

ISBN-100748655085

ISBN-139780748655083

eBay Product ID (ePID)117248477

Product Key Features

Number of Pages232 Pages

LanguageEnglish

Publication NameVeering : a Theory of Literature

Publication Year2012

SubjectGeneral, Modern / General, Semiotics & Theory

TypeTextbook

Subject AreaLiterary Criticism

AuthorNicholas Royle

SeriesThe Frontiers of Theory Ser.

FormatTrade Paperback

Dimensions

Item Height0.5 in

Item Weight12.7 Oz

Item Length6.1 in

Item Width9.1 in

Additional Product Features

Intended AudienceScholarly & Professional

ReviewsReading Veering generates the intense joy of veering. As exuberantly successful medium, Royle calls up swarms of passages from literature and elsewhere where the word or concept "veering" is salient. On this basis he creates new theories of literature and of creative's writing's place in criticism. Royle's best book yet., Every genre, every great work has its way of veering. This fascinating, richly compendious, necessary book shows the way forward for literary studies. Nicholas Royle's twisty key opens and magically re-opens the wonders of the canon and beyond. The spiralling pleasure he takes in doing so lightens, refreshes, instructs and inspires. Royle is a wonderful communicator about literature and theory and a uniquely powerful, original critical voice. This is his most exciting and widely relevant work so far., Nicholas Royle is one of the most interesting, inventive, and provocative thinkers of literary language currently writing in English, and he has done something truly extraordinary here. By allowing a theory of literature to emerge right from the traces of the veering movements of fiction and poetry, he has thoroughly renewed the possibility of thinking in the wake of our literary encounters. Veering issues a general license to read, once again, with all the wonder, generosity, and freedom it calls forth on every page., "Fascinating and challenging ... full of leaps of imagination, 'turns' and 'veers' that, as a reader, you cannot wait to follow."--^iCulture Machine^r"A brilliantly provocative model of how a text can be discussed ... this book will prove greatly productive for literary studies."--^iTimes Literary Supplement^r, Giving us a brilliantly provocative model of how a text can be discussed....this book will prove greatly productive for literary studies. Always surprising, it is its own best example of how critical curiosity and attention should veer about, turning up wonderful and unthought of things., 'Giving us a brilliantly provocative model of how a text can be discussedâ€¦.this book will prove greatly productive for literary studies. Always surprising, it is its own best example of how critical curiosity and attention should veer about, turning up wonderful and unthought of things.' Times Literary Supplement 'This fascinating, richly compendious, necessary book shows the way forward for literary studies. Royle is a wonderful communicator about literature and theory and a uniquely powerful, original critical voice. This is his most exciting and widely relevant work so far.' Sarah Wood, University of Kent 'Reading Veering generates the intense joy of veering. An exuberantly successful medium, Royle calls up swarms of passages from literature and elsewhere where the word or concept "veering" is salient. On this basis he creates new theories of literature and of creative writing's place in criticism. Royle's best book yet.' J. Hillis Miller, Distinguished Research Professor of Comparative Literature and English, University of California, Irvine 'Nicholas Royle is one of the most interesting, inventive, and provocative thinkers of literary language currently writing in English, and he has done something truly extraordinary here. Veering issues a general license to read, once again, with all the wonder, generosity, and freedom it calls forth on every page.' Professor Peggy Kamuf, University of Southern California, "Fascinating and challenging ... full of leaps of imagination, 'turns' and 'veers' that, as a reader, you cannot wait to follow."--iCulture Machiner "A brilliantly provocative model of how a text can be discussed ... this book will prove greatly productive for literary studies."--iTimes Literary Supplementr, [A] fascinating and challenging book full of leaps of imagination, 'turns' and 'veers' that, as a reader, you cannot wait to follow., 'Giving us a brilliantly provocative model of how a text can be discussed....this book will prove greatly productive for literary studies. Always surprising, it is its own best example of how critical curiosity and attention should veer about, turning up wonderful and unthought of things.' Times Literary Supplement 'This fascinating, richly compendious, necessary book shows the way forward for literary studies. Royle is a wonderful communicator about literature and theory and a uniquely powerful, original critical voice. This is his most exciting and widely relevant work so far.'Sarah Wood, University of Kent'Reading Veering generates the intense joy of veering. An exuberantly successful medium, Royle calls up swarms of passages from literature and elsewhere where the word or concept "veering" is salient. On this basis he creates new theories of literature and of creative writing's place in criticism. Royle's best book yet.'J. Hillis Miller, Distinguished Research Professor of Comparative Literature and English, University of California, Irvine'Nicholas Royle is one of the most interesting, inventive, and provocative thinkers of literary language currently writing in English, and he has done something truly extraordinary here. Veering issues a general license to read, once again, with all the wonder, generosity, and freedom it calls forth on every page.'Professor Peggy Kamuf, University of Southern California, Reading Veering generates the intense joy of veering. An exuberantly successful medium, Royle calls up swarms of passages from literature and elsewhere where the word or concept "veering" is salient. On this basis he creates new theories of literature and of creative writing's place in criticism. Royle's best book yet., 'Giving us a brilliantly provocative model of how a text can be discussedâ€¦.this book will prove greatly productive for literary studies. Always surprising, it is its own best example of how critical curiosity and attention should veer about, turning up wonderful and unthought of things.', Giving us a brilliantly provocative model of how a text can be discussed....this book will prove greatly productive for literary studies. Always surprising, it is its own best example of how critical curiosity and attention should veer about, turning up wonderful and unthought of things.'

Dewey Edition22

Grade FromCollege Graduate Student

Dewey Decimal801.95

Table Of ContentSeries Editor's Preface; Advertisement; 1. Casting Off; 2. Reading a Novel; 3. Reading a Poem; 4. Drama: An Aside; 5. The Essay: A Note (On Being Late); 6. On Critical and Creative Writing; 7. The Literary Turn; 8. Veerer: Where Ghosts Live; 9. Veerer: Reading Melville's 'Bartleby'; 10. A Small Case of Civil Disobedience; 11. Veering with Lawrence; Appendix: A Note on Nodism; Index.

Synopsis'Reading Veering generates the intense joy of veering. An exuberantly successful medium, Royle calls up swarms of passages from literature and elsewhere where the word or concept "veering" is salient. On this basis he creates new theories of literature and of creative writing's place in criticism. Royle's best book yet.' J. Hillis Miller, Distinguished Research Professor of Comparative Literature and English, University of California, Irvine 'Nicholas Royle is one of the most interesting, inventive, and provocative thinkers of literary language currently writing in English, and he has done something truly extraordinary here. By allowing a theory of literature to emerge right from the traces of the veering movements of fiction and poetry, he has thoroughly renewed the possibility of thinking in the wake of our literary encounters. Veering issues a general license to read, once again, with all the wonder, generosity, and freedom it calls forth on every page.' Professor Peggy Kamuf, University of Southern California 'Every genre, every great work has its way of veering. This fascinating, richly compendious, necessary book shows the way forward for literary studies. Nicholas Royle's twisty key opens and magically re-opens the wonders of the canon and beyond. The spiralling pleasure he takes in doing so lightens, refreshes, instructs and inspires. Royle is a wonderful communicator about literature and theory and a uniquely powerful, original critical voice. This is his most exciting and widely relevant work so far.' Sarah Wood, University of Kent Reflections on the figure of veering form the basis for a new theory of literature Exploring images of swerving, loss of control, digressing and deviating, Veering provides new critical perspectives on all major literary genres: the novel, poetry, drama, the short story and the essay, as well as 'creative writing'. Royle works with insights from Lewis Carroll, Freud, Adorno, Raymond Williams, Edward Said, Deleuze, Cixous and Derrida. With wit and irony he investigates 'veering' in the writings of Jonson, Milton, Dryden, Wordsworth, Coleridge, Melville, Hardy, Proust, Lawrence, Bowen, J.H. Prynne and many others. Contrary to a widespread sense that literature has become increasingly irrelevant to our culture and everyday life, Royle brilliantly traces a strange but compelling 'literary turn'., Brilliantly traces a strange but compelling 'literary turn' Exploring images of swerving, loss of control, digressing and deviating, Veering provides new critical perspectives on all major literary genres: the novel, poetry, drama, the short story and the essay, as well as 'creative writing'. Royle works with insights from Lewis Carroll, Freud, Adorno, Raymond Williams, Edward Said, Deleuze, Cixous and Derrida. With wit and irony he investigates 'veering' in the writings of Jonson, Milton, Dryden, Wordsworth, Coleridge, Melville, Hardy, Proust, Lawrence, Bowen, J.H. Prynne and many others., Exploring images of swerving, loss of control, digressing and deviating, Veering provides new critical perspectives on all major literary genres: the novel, poetry, drama, the short story and the essay, as well as 'creative writing'., Reflections on the figure of veering form the basis for a new theory of literature. Exploring images of swerving, loss of control, digressing and deviating, Veering provides new critical perspectives on all major literary genres: the novel, poetry, drama, the short story and the essay, as well as 'creative writing'. Royle works with insights from Lewis Carroll, Freud, Adorno, Raymond Williams, Edward Said, Deleuze, Cixous and Derrida. With wit and irony he investigates 'veering' in the writings of Jonson, Milton, Dryden, Wordsworth, Coleridge, Melville, Hardy, Proust, Lawrence, Bowen, J.H. Prynne and many others. Contrary to a widespread sense that literature has become increasingly irrelevant to our culture and everyday life, Royle brilliantly traces a strange but compelling 'literary turn'.

LC Classification NumberPN81