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About this product
- DescriptionProposes an anthropological theory for interpreting human picture making. Refusing to reduce images to their material embodiment yet acknowledging the importance of the historical media in which images are manifested, this book presents a challenging and provocative account of what pictures are and how they function.
- Author BiographyHans Belting has held chairs in art history at the universities of Heidelberg and Munich and has been a visiting professor at Harvard, Columbia, and Northwestern. He also cofounded and taught at the School for New Media in Karlsruhe, Germany. His many books include Likeness and Presence, The End of the History of Art?, The Invisible Masterpiece, Art History after Modernism, and Looking through Duchamp's Door.
- Author(s)Hans Belting
- PublisherPrinceton University Press
- Date of Publication02/05/2014
- GenreThe Arts: General & Reference
- Place of PublicationNew Jersey
- Country of PublicationUnited States
- ImprintPrinceton University Press
- Content Note61 halftones.
- Weight425 g
- Width152 mm
- Height235 mm
- Translated byThomas Dunlap
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