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About this product
- DescriptionTaking as case studies two paintings of circa 1621-22 attributed to Artemisia, this text examines the ways that identity, gender and market pressures interact both in the artist's work and in the criticism and conoisseurship that have surrounded it.
- Author BiographyMary D. Garrard is Professor of Art at American University. She is the author of Artemisia Gentileschi: The Image of the Female Hero in Italian Baroque Art (1989) and coeditor, with Norma Broude, of Feminism and Art History: Questioning the Litany (1982); The Expanding Discourse: Feminism and Art History (1992); and The Power of Feminist Art: The American Movement of the 1970s, History and Impact (1994).
- Author(s)Mary Garrard
- PublisherUniversity of California Press
- Date of Publication21/02/2001
- GenreIndividual Artists / Art Monographs
- Series TitleThe Discovery Series
- Series Part/Volume NumberNo. 11
- Place of PublicationBerkerley
- Country of PublicationUnited States
- ImprintUniversity of California Press
- Content Note8 color illustrations, 57 b/w photographs
- Weight1380 g
- Width178 mm
- Height254 mm
- Spine19 mm
- Format DetailsTrade paperback (US)
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