A searing critique of participatory art by an iconoclastic historian.
Claire Bishop is Associate Professor in the History of Art department at the CUNY Graduate Center, New York. She is the author of Installation Art: A Critical History and editor of Participation. In 2008 she co-curated the exhibition Double Agent at the ICA. She is a regular contributor to Artforum, October, Tate Etc, IDEA, and other international art magazines.