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About this product
- DescriptionThis collection explores the boundaries between Brahms' professional identity and his lifelong engagement with private and amateur music-making.
- Author BiographyKaty Hamilton holds the post of Junior Research Fellow in Performance History at the Royal College of Music, specialising in the vocal music of Johannes Brahms and his contemporaries. She is the author of William Hurlstone: A Catalogue of Works and was assistant to pianist Graham Johnson for his three-volume encyclopaedia Franz Schubert: The Complete Songs. In addition, she is an active chamber accompanist and repetiteur, having worked with instrumentalists, singers and choirs in England, Ireland, Spain and Germany. From 2008 to 2013 she was the course organiser and Music Director of ISSMUS, a specialist summer school for singers, composers, conductors and pianists. Natasha Loges is Assistant Head of Programmes at the Royal College of Music, where she teaches on Brahms, the history of opera and the German lied. She has published various articles on Brahms's songs in journals such as Music and Letters and Nineteenth-Century Music Review. Supported by an Arts and Humanities Research Council award, she is currently completing a monograph called Brahms and his Poets. She is also active as a song accompanist and has broadcast live on BBC Radio 3. As a speaker, she has a long-standing association with the Oxford Lieder Festival, the UK's largest festival of art song.
- PublisherCambridge University Press
- Date of Publication11/09/2014
- GenreMusic & Dance
- Place of PublicationCambridge
- Country of PublicationUnited Kingdom
- ImprintCambridge University Press
- Content Note27 b/w illus. 6 tables 124 music examples
- Weight1000 g
- Width174 mm
- Height247 mm
- Spine22 mm
- Edited byKaty Hamilton,Natasha Loges
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