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About this product
- PublisherTaylor & Francis Ltd
- Date of Publication09/09/2016
- GenreIndividual Artists / Art Monographs
- Series TitleVisual Culture in Early Modernity
- Place of PublicationLondon
- Country of PublicationUnited Kingdom
- Weight725 g
- Width174 mm
- Height246 mm
- Edited byDavid M. Stone,Lorenzo Pericolo
- Table Of ContentsContents: Introduction: the Caravaggio conundrum, Lorenzo Pericolo and David M. Stone; Caravaggio betrayals: the lost painter and the 'great swindle', David M. Stone; Caravaggio's painting technique: a brief survey based on paintings in the National Gallery, London, Larry Keith; Caravaggio's Portrait of Maffeo Barberini in the Palazzo Corsini, Florence, Keith Christiansen; Touching is believing: Caravaggio's Doubting Thomas in counter-reformatory Rome, Erin E. Benay; Caravaggio's Death of the Virgin, Giulio Mancini, and the Madonna Blasphemed, Frances Gage; Talking pictures: sound in Caravaggio's art, Catherine Puglisi; Caravaggio's angels, Steven F. Ostrow; Caravaggio and the 'truth in pointing', Jonathan Unglaub; Caravaggio the barbarian, Philip Sohm; The bottom line of painting Caravaggesque, Richard E. Spear; Galileo Galilei and Artemesia Gentileschi: between the history of ideas and microhistory, Elizabeth Cropper; Perfectly true, perfectly false: cardsharps and fortune-tellers by Caravaggio and La Tour, Gail Feigenbaum; Rembrandt and Caravaggio: emulation without imitation, H. Perry Chapman; Interpreting Caravaggio in the second half of the twentieth century: between Galileo and Heidegger, Giordano Bruno and Laplanche, Lorenzo Pericolo; Bibliography; Index.
- Author BiographyLorenzo Pericolo is Associate Professor in the Department of the History of Art at the University of Warwick, UK. David M. Stone is Professor and Director of the Curatorial Track PhD Program in the Department of Art History at the University of Delaware, USA.
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