Acknowledgments Introduction: Scenarios of History, Themes and Politics in Cypriot Cinemas Costas Constandinides, University of Nicosia, Cyprus, and Yiannis Papadakis, University of Cyprus, Cyprus 1. Archive, Evidence, Memory, Dream: Documentary Films on Cyprus Elizabeth Anne Davis, Princeton University, USA 2. Aesthetics, Narratives and Politics in Greek Cypriot Films: 1960-1974 Theopisti Stylianou-Lambert, Cyprus University of Technology, Cyprus, and Nicos Philippou, University of Nicosia, Cyprus 3. Cyprus Past, Present and Future: The Dervis Zaim Trilogy Laurence Raw, Baskent University, Ankara, Turkey 4. Tormenting History: The Cinemas of the Cyprus Problem Costas Constandinides, University of Nicosia, Cyprus and Yiannis Papadakis, University of Cyprus, Cyprus 5. Transnational Views from the Margins of Europe: Globalization, Migration and Post-1974 Cypriot Cinemas Costas Constandinides, University of Nicosia, Cyprus 6. Women and Gender in Cypriot Cinema: (Re)claiming Agency Amidst the Discourses of its Negation Nayia Kamenou, University of Cyprus, Cyprus 7. Postscript Cypriot Cinemas: Borders of Categories and Categories of Borders Costas Constandinides, University of Nicosia, Cyprus List of Contributors Index
Costas Constandinides is Assistant Professor in the Department of Communications at the University of Nicosia, Cyprus. He is the author of From Film Adaptation to Post-celluloid Adaptation (Continuum, 2010). Yiannis Papadakis is Associate Professor in the Department of Social and Political Sciences at the University of Cyprus. He is author of Echoes from the Dead Zone: Across the Cyprus Divide (2005), co-editor of Divided Cyprus: Modernity, History and an Island in Conflict (2006), editor of a special issue of Postcolonial Studies (2006) on Cyprus and co-editor of Cyprus and the Politics of Memory (2012).