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The first in-depth academic analysis of Elizabeth Taylor's work in film. It examines her distinctive features as a performer and shows how various aspects of her performance repertoire evolved along with her star persona, during the course of her career, both on and off screen.
SUSAN SMITH is Senior Lecturer inFilm Studies at the University ofSunderland, UK. She is the authorof Voices in Film (in Close-Up 2,2007), The Musical: Race, Genderand Performance (2005), whichwas selected as a CHOICEOutstanding Academic Title in2006, and of Hitchcock: Suspense,Humour and Tone (2000).