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And, as usual, they show themselves worthy of revival when played competently. Cellist Paul Watkins gets into the crowd-pleasing spirit of these and also does well in the other works: the discursive, rather Schubertian Cello Sonata No. 1, Op. 45, the youthful Variations concertantes, Op. 17, with their structural ambitions, and the limpidly lyrical Lied ohne Worte, Op. 109 (Song without Words).