Christopher Nolan’s first: no budget (I mean ‘no’) and a lot of talent (I mean ‘lot’ too). Made in UK, London, and very British. We’re into peculiar atmospheres and odd people. You know it from the first image, and it hangs all the way through like a smog. No fun, no thrills, no entertainment. It’s more like a devious investigation around mysterious crimes. At some point it seems to turn weird and insane, starts to make you fell uneasy, but things are not what they seem and they will not happen the way you expect. To that extend, the script is a twisted piece of art. The directing, given the means, is really impressive (Nolan has shot most of it in his own flat, but that you’ll never guess – even when you know it you don’t see it). A performance altogether. But… A first feature is mostly destined to impress the producers, not the audience that it. You put your best to it, you sell yourself, you want to succeed. And so, Nolan has shown how you can make a successful film with pocket money. So, if you’re into cinema, it’s worth watching what you can do with just a camera and a couple of good actors. But if you want to spend a relaxing and enjoyable evening before the screen, you might be disappointed.Read full review
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