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This release on ECM shares much with the earlier album, and it may too be one of those things you either love or hate. Afanassiev once again favors slow tempos. What Afanassiev catches here is that these works (not a set, but substantial little pieces far from the bonbons that the publisher-supplied title would suggest) were written for an intimate, sophisticated audience that would have gotten his Faust references and would have been interested in a performance that explores the structure of the music in the way he does.