Acknowledgements Introduction 1. Gao Xingjian and postdramatic theatre: The Other Shore - between Lehmann and Fuchs 2. Gao and postdramatic theatre: a comparison with British playwright Martin Crimp 3. Dialogue and Rebuttal: the death of love in postdramatic transnationalism 4. Individualism and freedom in Nocturnal Wanderer 5. Transnational postdramatic realism in Weekend Quartet 6. Latest postdramatic attempts at transnationalism Conclusion Endnotes Bibliography About the Author Index
Dr Mary Mazzilli is a Lecturer in Drama and Literature at University of Essex. She was a Lecturer in Theatre Theory and Contemporary Practice at Goldsmiths in the Theatre and Performance Department (2015-2016). In 2012-2014, she was a post-doctoral fellow at Nanyang Technological University - Singapore in the School of Humanities and Social Sciences.