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About this product
- Author(s)David Wilkins,Frederick Hartt
- PublisherPearson Education (US)
- Date of Publication03/01/2010
- GenreThe Arts: Textbooks & Study Guides
- Country of PublicationUnited States
- Weight2254 g
- Width216 mm
- Height291 mm
- Edition Statement7th edition
- Table Of ContentsPreface Chapter 1 PRELUDE: ITALY AND ITALIAN ART 16Representing This World 17The Role of Antiquity 18The Cities 20The Guilds and the Status of the Artist 24The Artist at Work 25The Products of the Painter's Bottega 25The Practice of Drawing 27The Practice of Painting 28The Practice of Sculpture 33The Practice of Architecture 34Printmaking in the Renaissance 36The Practice of History 36The Practice of Art History: Giorgio Vasari 37 PART ONE: THE LATE MIDDLE AGES Chapter 2 DUECENTO ART IN TUSCANY AND ROME 40Painting in Pisa 42Painting in Lucca 44Painting in Florence 45Painting in Rome 53Sculpture 57Architecture 64 Chapter 3 FLORENTINE ART OF THE EARLY TRECENTO 72Giotto 73Florentine Painters after Giotto 95Sculpture 100 Chapter 4 SIENESE ART OF THE EARLY TRECENTO 102Duccio 103Simone Martini 110Pietro Lorenzetti 119Ambrogio Lorenzetti 122Orvieto Cathedral 128The Master of the Triumph of Death 134 Chapter 5 LATER GOTHIC ART IN TUSCANY AND NORTHERN ITALY 136Mid-Trecento Art in Florence 138Late Gothic Painting and the International Style 145Painting and Sculpture in Northern Italy 149 PART TWO: THE QUATTROCENTO Chapter 6 THE RENAISSANCE BEGINS: ARCHITECTURE 158The Role of the Medici Family 160Filippo Brunelleschi and Linear Perspective 161The Dome of Florence Cathedral 164The Ospedale degli Innocenti 168Brunelleschi's Sacristy for San Lorenzo 170San Lorenzo and Santo Spirito 170Santa Maria degli Angeli 173The Pazzi Chapel 174The Medici Palace and Michelozzi di Bartolommeo 174 Chapter 7 TRANSITIONS IN TUSCAN SCULPTURE 180The Competition Panels 181Ghiberti to 1425 183Donatello to 1420 188Nanni di Banco 193Donatello (c. 1420 to c. 1435) 196Jacopo della Quercia 199 Chapter 8 TRANSITIONS IN FLORENTINE PAINTING 202Gentile da Fabriano 203Masolino and Masaccio 206Popular Devotion and Prints 220 Chapter 9 THE HERITAGE OF MASACCIO: FRA ANGELICO AND FRA FILIPPO LIPPI 222Fra Angelico 224Fra Filippo Lippi 232 Chapter 10 FLORENTINE ARCHITECTURE AND SCULPTURE, c. 1430-1455 238Alberti 239Ghiberti after 1425 249Luca della Robbia 251Donatello (c. 1433 to c. 1455) 254Florentine Tomb Sculpture 261The Portrait Bust 261 Chapter 11 FLORENTINE PAINTING AT MID-CENTURY 262Paolo Uccello 263Domenico Veneziano 267Andrea del Castagno 271Piero della Francesca 278 Chapter 12 ART IN FLORENCE UNDER THE MEDICI I 294Donatello after 1453 298Desiderio da Settignano 302The Chapel of the Cardinal of Portugal 303Benedetto and Giuliano da Maiano 306Giuliano da Sangallo 309Benozzo Gozzoli 312Baldovinetti and Pesellino 313 Chapter 13 ART IN FLORENCE UNDER THE MEDICI II 318Antonio del Pollaiuolo 320Andrea del Verrocchio 327Renaissance Cassoni 331Alessandro Botticelli 332Filippino Lippi 347Domenico del Ghirlandaio 350Piero di Cosimo 356 Chapter 14 THE RENAISSANCE IN CENTRAL ITALY 358Siena 359Sassetta 361Domenico di Bartolo 362Matteo di Giovanni 364Vecchietta 364Francesco di Giorgio 365Neroccio de' Landi 367Perugia 369Perugino 369Pintoricchio 374Melozzo da Forli 376The Laurana Brothers and Urbino 378Naples 384Luca Signorelli 385 Chapter 15 GOTHIC AND RENAISSANCE IN VENICE AND NORTHERN ITALY 388Pisanello 389Early Quattrocento Art and Architecture in Venice 393Jacopo Bellini 395Andrea Mantegna 397Mantegna and Isabella d'Este 408Gentile Bellini 411Antonello da Messina 412Giovanni Bellini 415Vittore Carpaccio 421Carlo Crivelli 425Venetian Fabrics 426Venetian Publishing 426Late Quattrocento Sculpture and Architecture in Venice 428Late Quattrocento Art in Milan 433Vincenzo Foppa 433Filarete 433Quattrocento Painting in Ferrara 434North Italian Terra-Cotta Sculpture 440 PART THREE: THE CINQUECENTOChapter 16 THE ORIGINS OF THE HIGH RENAISSANCE 442Leonardo da Vinci 443Michelangelo to 1505 469Raphael in Perugia and Florence 480Fra Bartolommeo 484 Chapter 17 THE HIGH RENAISSANCE IN ROME 486Donato Bramante 489Michelangelo 1505 to 1516 496Raphael in Rome 515 Chapter 18 NEW DEVELOPMENTS c. 1520-50 542Michelangelo 1516 to 1533 544Andrea del Sarto 555Pontormo 558Rosso Fiorentino 563Perino del Vag
- Author BiographyThe late Frederick Hartt was one of the most distinguished art historians of the twentieth century. A student of Berenson, Schapiro, and Friedlaender, he taught for more than fifty years, influencing generations of Renaissance scholars. At the time of his death he was Paul Goodloe McIntire Professor Emeritus of the History of Art at the University of Virginia. He was a Knight of the Crown of Italy, a Knight Officer of the Order of Merit of the Italian Republic, an honorary citizen of Florence, and an honorary member of the Academy of the Arts of Design, Florence, a society whose charter members included Michelangelo and the Grand Duke Cosimo I de' Medici. Hartt authored, among other works, Florentine Art under Fire (1949); Botticelli (1952); Giulio Romano (1958); Love in Baroque Art (1964); The Chapel of the Cardinal of Portugal (1964); three volumes on the painting, sculpture, and drawings of Michelangelo (1964, 1969, 1971); Donatello, Prophet of Modern Vision (1974); Michelangelo's Three Pietas (1975); and the monumental Art: A History o f Painting, Sculpture, Architecture, now in its fourth edition (1993). David G . Wilkins is professor emeritus of the history of art and architecture at the University of Pittsburgh and former chair of the department. He has also served on the faculties of the University of Michigan in Florence and the Semester at Sea Program. He is author of Donatello (1984, with Bonnie A. Bennett); Maso di Banco: A Florentine Artist of the Early Trecento (1985); The Illustrated Bartsch: Pre-Rembrandt Etchers, vol. 53 (1985, with Kahren Arbitman); A History o f the Duquesne Club (1989, with Mark Brown and Lu Donnelly); Art Past/Art Present, a broad survey of the history of art (fifth edition, 2005, with Bernard Schultz and Katheryn M. Linduff); and The Art of the Duquesne Club (2001). He was the revising author for the fourth and fifth editions of History of Italian Renaissance Art: Painting, Sculpture, and Architecture (1994, 2003) and co-editor of The Search for a Patron in the Middle Ages and the Renaissance (1996, with Rebecca L. Wilkins) and Beyond Isabella: Secular Women Patrons of Art in Renaissance Italy (2001 with Sheryl E. Reiss). He was editor of The Collins Big Book of Art (2005). In 2005 he also received the College Art Association's national award for Distinguished Teaching in Art History.
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