PART I: PATTERNS OF REVIVAL; PART II: USES, APPROPRIATIONS, MEANINGS
Katharine Ellis is Reader in Music at Royal Holloway, University of London. Her work centers on the cultural history of music in nineteenth-century France. She has published on directors' opera in the 1830s, Wagnerism, music criticism, women as performers, and music education. Current projects include a volume of Berlioziana edited with David Charlton, and a monograph on music in the French regions. A former joint editor of Music & Letters, Ellis is editor of the Journal of the Royal Musical Association.