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A collection that provokes and challenges the reader. It suggests that disclosure - whether of love or anguish - is hazardous because it can betray as well as illumine. But which is more likely to put things in jeopardy: the outspoken or the unspoken?
Gregory Warren Wilson studied violin and composition at the Royal College of Music and has worked with the Hong Kong Philharmonic and at the Opera House in Florence. His two previous poetry collections are Preserving Lemons, which won the Staple First Edition Award in 1996, and Hanging Windchimes in a Vacuum (Tears in the Fence, 1997). With Carole Satyamurti he has initiated and co-tutored courses on art and poetry at The National Gallery, Tate Britain and The Courtauld Gallery. He is a tutor for The Poetry School.