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The landscape is unique among subject matter - in its grandeur, complexity and colour dynamics. This guide to landscape theory and practice assists in working with what are the greatest challenges for the landscape artist, most notably simplifying complex material, selecting strong compositions and translating colour and light.
Mitchell Albala received his fine art training at Queens College/City University of New York. For the past decade he has taught painting at the Gage Academy of Art in Seattle. He has lectured on Impressionism at the Seattle Art Museum and has written about landscape painting in magazines. His work has been represented in group shows in numerous American cities.