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Gustav Mahler's music has provoked extreme responses from the public and from experts. This volume examines the broader political, social, and literary changes reflected in Mahler's music. It examines the composer's Jewish identity, and considers contemporary theories of memory, and the theatricality of Mahler's art and fin-de-siecle politics.
Karen Painter is Associate Professor of Music at Harvard University. She is the recipient of a Berlin Prize and a Humboldt fellowship in Berlin.