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About this product
- DescriptionWhile modernism's engagement with the occult has been approached by critics as the result of a loss of faith in representation, Leigh Wilson argues that these discourses remakes the relationship between world and representation. Wilson explores the aesthetic and political implications in the work of writers who were self-consciously experimental.
- Author BiographyLeigh Wilson is Reader in Modern Literature in the Department of English, Linguistics and Cultural Studies at the University of Westminster.
- Author(s)Leigh Wilson
- PublisherEdinburgh University Press
- Date of Publication30/09/2015
- GenreLiterary Criticism
- Series TitleEdinburgh Critical Studies in Modernist Culture
- Place of PublicationEdinburgh
- Country of PublicationUnited Kingdom
- ImprintEdinburgh University Press
- Width156 mm
- Height234 mm
- Spine10 mm
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