All listings for this product
Best-selling in The Arts
Save on The Arts
- £45.00Trending at £76.67
- £9.27Trending at £13.00
- £11.97Trending at £15.52
- £6.54Trending at £6.99
- £10.82Trending at £13.80
- £8.78Trending at £11.92
- £8.03Trending at £9.51
About this product
- DescriptionThis book examines the conditions of the original performances in seventeenth-century indoor theatres.
- Author BiographyAndrew Gurr has taught at universities in New Zealand, England, Kenya and the USA. He spent twenty years as Director of Research at the Shakespeare Globe Centre, London. His academic books include Playgoing in Shakespeare's London (Cambridge, 1987); The Shakespearean Stage, 1574-1642 (Cambridge, 1992); The Shakespearian Playing Companies (1996); The Shakespeare Company 1594-1642 (2004); and Shakespeare's Opposites (Cambridge, 2009). Farah Karim-Cooper is Head of Higher Education and Research at Shakespeare's Globe and Visiting Research Fellow of King's College London. At the Globe, she is leading the research into the Sam Wanamaker Playhouse, the new indoor Jacobean theatre. She is the author of Cosmetics in Shakespearean and Renaissance Drama (2006); Shakespeare's Globe: A Theatrical Experiment (co-edited with Christie Carson, Cambridge, 2008); Shakespeare's Theatres and the Effects of Performance (co-edited with Tiffany Stern, 2013); and Shakespeare and the Hand (forthcoming).
- PrizesWinner of Society for Theatre Research Theatre Book Prize 2014.
- PublisherCambridge University Press
- Date of Publication06/03/2014
- GenreOther Performing Arts
- Place of PublicationCambridge
- Country of PublicationUnited Kingdom
- ImprintCambridge University Press
- Content Note16 b/w illus. 23 colour illus.
- Weight590 g
- Width152 mm
- Height228 mm
- Spine23 mm
- Edited byAndrew Gurr,Farah Karim-Cooper
This item doesn't belong on this page.
Thanks, we'll look into this.