All listings for this product
About this product
- DescriptionOffers perspectives on photography theory from some of the world's leading critics and theorists. Ranging from the most personal to the most dehumanized uses of photography, from the 19th century onwards, and from Latin America to Northern Europe, this title is suitable for those interested in photography, visual culture, and cultural history.
- Author BiographyJ. J. Long is Professor of German at Durham University. He is the author of The Novels of Thomas Bernhard and of W. G. Sebald: Image, Archive, Modernity, and has published widely on German literature and photography. He was awarded a Philip Leverhulme Prize in 2005. Andrea Noble is Professor of Latin American Studies at Durham University, author of Mexican National Cinema and co-editor of Phototextualities: Intersections of Photography and Narrative. Edward Welch is Senior Lecturer in French at Durham University, and author of Francois Mauriac: The Making of an Intellectual. His research interests include post-war French visual culture and documentary photography, and he is a regular contributor to Source photography journal.
- PublisherTaylor & Francis Ltd
- Date of Publication12/12/2008
- Place of PublicationLondon
- Country of PublicationUnited Kingdom
- Content Noteblack & white illustrations, figures
- Weight340 g
- Width156 mm
- Height234 mm
- Spine10 mm
- Edited byAndrea Noble,Edward Welch,J. J. Long
- Format DetailsB-format paperback
Best-selling in The Arts
Save on The Arts
- £13.74Trending at £16.65
- £13.11Trending at £13.46
- £5.35Trending at £5.98
- £10.99Trending at £19.98
- £18.33Trending at £24.10
- £14.76Trending at £17.33
- £4.32Trending at £4.74
This item doesn't belong on this page.
Thanks, we'll look into this.