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Examines the ways in which popular music is produced and explores its structure as text and the ways in which audiences understand and use music. This book, packed with examples and data on the contemporary production and consumption of popular music, the book also includes overviews and critiques of theoretical approaches to this area of study.
Brian Longhurst is lecturer in sociology at the University of Salford. His previous books include Karl Mannheim and the Contemporary Sociology of Knowledge (1989) and Discourse, Power and Justice: A new Approach to the Socilogy of Imprisonment (co-author, 1994).