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Since its rise to prominence in the mid-nineteenth century, the work of the Pre-Raphaelites has courted both artistic controversy and public popularity. In this study, art historian and author Carol McKendrick reveals a parallel output of Pre-Raphaelite painting that was considered too outrageous for the pre-feminist sensibilities of the day.
Carol McKendrick took a degree in philosophy before studying art history. She describes herself as a polymath of no fixed address.