The lowest-priced, brand-new, unused, unopened, undamaged item in its original packaging (where packaging is applicable).Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag.See details for additional description.
Chapter 1. Introduction, The Leaking Frame of the Argument on How to See Differently Chapter 2. Art as a Binary Proposition; Identity as a Binary Proposition Chapter 3. Fetishizing the Gaze and the Anamorphic Perversion: The Other is You Chapter 4. Multiculturalism, Intersectionality, and Post-Identity Chapter 5. Queer Feminist Durationality: Time and Materiality as a Means of Resisting Spatial Objectification Chapter 6. Seeing and Reconceiving Difference, Concluding Thoughts, without Final Conclusions
Amelia Jones is Professor and Grierson Chair in Visual Culture at McGill University in Montreal. Her recent publications include major essays on Marina Abramovic (in TDR), on feminist art and curating, and on performance art histories, as well as the edited volume Feminism and Visual Culture Reader (2003, 2010). Her most recent book is Self/Image: Technology, Representation, and the Contemporary Subject (2006), will be followed in 2012 and her major volume, Perform Repeat Record: Live Art in History, co-edited with Adrian Heathfield, is due out in 2011.