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About this product
- PublisherWilfrid Laurier University Press
- Date of Publication18/02/2015
- GenreThe Arts: General & Reference
- Place of PublicationWaterloo, Ontario
- Country of PublicationCanada
- ImprintWilfrid Laurier University Press
- Content Notecolour illustrations
- Weight414 g
- Width152 mm
- Height228 mm
- Spine18 mm
- Edited byChristina Sinding,Hazel Estella Barnes
- Table Of ContentsIntroduction; Where Weve Been & What We Are Up Against: Social Welfare & Social Work in Canada; Where Weve Been & What We Are Up Against: Social Welfare & Social Work in South Africa; How Art Works: Hopes, Claims, & Possibilities for Social Justice; Art & Storytelling with Migrant Children: Developing & Thickening Alternative Storylines; Art Towards Critical Conscientization & Social Change during Social Work & Human Rights Education, in the South African Post-apartheid & Post-colonial Context; When We are Naked: A Theatrical Approach to Cathartic Experience & Emotional Autonomy within the Post-apartheid South African Landscape; Excavating & Representing Community-embedded Trauma & Resilience: Suitcases, Car Trips, & the Architecture of Hope; Performing Understanding: Investigating & Expressing Difference & Trauma; Towards an Indigenous Narrative Inquiry: The Importance of Composite, Artful Representations; Emerging Paradigms for Managing Conflicts through Applied Arts; Corroding the Comforts of Social Work Knowing: Persons with Intellectual Disabilities Claim the Right of Inspection over Public Photographic Images; Bringing Relating to the Forefront: Using the Art of Improvisation to Actively Perceive Relational Processes in Social Work; Making Meaning of Our Experiences of Bearing Witness to Suffering: Employing A/r/tography to Surface Co-Remembrance & (Dwelling) Place; Bibliography; Notes; Index.
- Author BiographyChristina Sinding is an Associate Professor at McMaster University (School of Social Work and Department of Health, Aging and Society). Her research focuses on cancer and social marginalization; service user involvement; and arts-informed social science, especially in social work and social-justice contexts. She is the author, with Ross Gray, of Standing Ovation: Performing Social Science Research about Cancer . Hazel Barnes is a Senior Research Associate in Drama and Performance Studies at the University of KwaZulu-Natal, and Chair of the Research Committee of Drama for Life, University of the Witwatersrand. She has published a number of papers on drama and theatre applied to interculturalism and post-traumatic stress in national and international journals, and has also recently edited three books on applied drama/theatre.
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