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- DescriptionThis book offers a concise and highly readable account of the visual art of David Jones (1895-1974). It challenges the simplistic view of Jones as an outsider or an eccentric, exploring his work instead in relation to the wider cultural and intellectual climate of his times.
- Author BiographyAriane Bankes worked for many years in publishing and the commercial art world. Her articles and reviews have appeared in a range of publications including the Spectator, the RA Magazine and the Times Literary Supplement. She edits the Charleston Trust's magazine Canvas, and she collaborated with Jonathan Reekie on The New Aldeburgh Anthology (2009). Paul Hills is Professor Emeritus at the Courtauld Institute of Art in London. He curated the major David Jones retrospective at the Tate in 1981 and convened the centenary conference on the artist at the University of Warwick in 1995. His previous publications include The Light of Early Italian Painting (1987) and Venetian Colour: Marble, Mosaic, Painting and Glass, 1250-1550 (1999).
- Author(s)Ariane Bankes,Paul Hills
- PublisherLund Humphries Publishers Ltd
- Date of Publication28/09/2015
- GenreIndividual Artists / Art Monographs
- Place of PublicationLondon
- Country of PublicationUnited Kingdom
- ImprintLund Humphries Publishers Ltd
- Content NoteIncludes 104 colour and 48 b&w illustrations
- Weight1202 g
- Width228 mm
- Height270 mm
- Spine23 mm
- Edition StatementNew edition
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