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About this product
- DescriptionEric Stanton (1926-1999) has been called the Rembrandt of Pulp-Culture and it's not hard to see why - he is perhaps the brightest star of his genre. This retrospective volume covers Stanton's work from the late 1940s until the 1990s, including over 300 comic strips, single illustrations, and magazine covers.
- Author BiographyEric Stanton (1926-1999) has been called the Rembrandt of Pulp-Culture and it's not hard to see why--he is perhaps the brightest star of his genre. His imaginative, detailed full-color comic strip narratives picture buxom, leggy femmes fatales having their way with tied-up, handcuffed, or simply awestruck men. Stanton's imagery is either an empowerment of female sexuality or a caricature of female-domination fantasy--depending on whom you ask.--but there is no doubt that in Stanton's world, women rule the land. The editor: Eric Kroll edited several titles for TASCHEN including Natacha Merritt's Digital Diaries and The Wonderful World of Bill Ward. His photography was the subject of TASCHEN's Fetish Girls and Beauty Parade.
- Author(s)Eric Kroll
- PublisherTaschen GmbH
- Date of Publication25/09/2012
- Language(s)English, German, French
- GenreIndividual Artists / Art Monographs
- Place of PublicationCologne
- Country of PublicationGermany
- ImprintTaschen GmbH
- Content NoteIllustrations
- Width289 mm
- Height340 mm
Most relevant reviews
- wcbri.udpuuahhu...22 Nov, 2016by
Eric grew up in Manhattan in his first six years, he only spoke in Russian, because that was the only language spoken at home. His art spoke for all!
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