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About this product
- DescriptionTonal music, from a historical perspective, is far from homogenous; Ninth-century music, for example, is a tonal language of dyadic modes, while seventeenth-century music is a language of triadic semi-keys.
- Author BiographyThe author is an associate professor in the Department of Music of Bar-Ilan University, where he has been a faculty member since 1983, and served as Chairman from 1998 to 2001. His PhD dissertation (CUNY Graduate Center, 1986) is entitled Diatonicism, Chromaticism, and Enharmonicism: A Study in Cognition and Perception. A visiting professor at the University of Chicago and the University at Buffalo, the author published numerous articles on various aspects of tonal music in leading journals such as Music Theory Spectrum, Journal of Music Theory, Music Perception, and Israel Studies in Musicology. The author is a founding member of ESCOM, the European Society for the Cognitive Sciences of Music.
- Author(s)Eytan Agmon
- PublisherSpringer-Verlag Berlin and Heidelberg GmbH & Co. KG
- Date of Publication29/11/2013
- GenreThe Arts: General & Reference
- Series TitleComputational Music Science
- Place of PublicationBerlin
- Country of PublicationGermany
- ImprintSpringer-Verlag Berlin and Heidelberg GmbH & Co. K
- Content Note75 Illustrations, black and white; XXVII, 280 p. 75 illus.
- Weight625 g
- Width155 mm
- Height235 mm
- Edition Statement2013 ed.
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