55 black & white halftones, 25 colour illustrations
Table Of Contents
Contents Acknowledgements Preface by Simon McBurney Chapter 1) Playing with the R(ealism) effect: An introduction to Thomas Ostermeier's theatre work. Chapter 2) Ostermeier writings: Towards a new realism. 2.1. Theatre in the age of its acceleration (1999). 2.2 Insights into the reality of human community: A defence of realism in theatre (2009). Chapter 3) Making theatre with Thomas Ostermeier. 3.1 Creating stage spaces like it is not possible anywhere else: Jan Pappelbaum on twenty years of inventing spaces for Thomas Ostermeier 3.2 Revealing truths about human existence: Lars Eidinger on 'acting Ostermeier' 3.3 A whole new world to explore: Sebastien Dupouey on his video artworks for Thomas Ostermeier's theatre Colour plate section I Chapter 4) Ostermeier writings : 'It's us': Ibsen's plays and contemporary worries 4.1 Theatre against Fear: Thomas Ostermeier in conversation with Alex Rigola (2006). 4.2 Reading and staging Ibsen (2010). Chapter 5) Ostermeier at work : An Enemy of the People (2012). 5.1 The dramaturg's work: Florian Borchmeyer 5.2 The actors' work: The path towards An Enemy of the People. 5.3 Ein Volksfeind around the world: The actors' diary. 5.4 The artist's work: Katharina Ziemke. 5.5 The assistant's work: Christoph Schletz. Chapter 6) Ostermeier on directing. 6.1 The art of communicating: Thomas Ostermeier's 'inductive method' of Regie. 6.2 A postscript on directing postdramatic theatre. And Shakespeare. Colour plate section II Chapter 7) Ostermeier at work : Richard III (2015). 7.1 Totus mundus agit histrionem: Reading and staging Shakespeare (2014). 7.2 Preparing Richard III: The longing for the disavowed abyss (September 2014). 7.3 Rehearsing Richard III: A Diary (September 2014 to February 2015). 7.4 After Richard: Mission 'Ensemble Acting' (June 2015). Chapter 8) Ostermeier writings [III]: The politics of contemporary theatre. 8.1 'The more political we are, the better we sell': A conversation about the political potential of directing classical drama and the nasty traps of today's cultural industry (2014). 8.2 The future of theatre (2013). Chapter 9) Thomas Ostermeier: Work, 1994 - 2015. 9.2 Sources of the texts in this volume
Peter M Boenisch, originally from Munich/Germany, is Professor of European Theatre at the University of Kent, and a Fellow at the International Research Centre Interweaving Performance Cultures at Berlin. Thomas Ostermeier is an internationally renowned theatre director, best known for his acclaimed productions of Hedda Gabler, Shopping and Fucking, and Hamlet. Since 2000, he has been Artistic Director of the Schaubuhne Berlin. He became the youngest ever recipient of the Golden Lion award for his lifework at the 2011 Venice Biennial.