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About this product
- DescriptionPerhaps no twentieth-century artist utilized puns and linguistic ambiguity with greater effect - and greater controversy - than Marcel Duchamp. This book examines how he interpreted notions of mechanical reproduction in order to redefine the meaning and value of the art object, the artist, and artistic production.
- Author BiographyDalia Judovitz is Professor and Chair in the Department of French and Italian at Emory University. She is author of Subjectivity and Representation in Descartes: The Origins of Modernity (1988) and coeditor of Dialectic and Narrative (1993).
- Author(s)Dalia Judovitz
- PublisherUniversity of California Press
- Date of Publication28/04/1998
- GenreIndividual Artists / Art Monographs
- Place of PublicationBerkerley
- Country of PublicationUnited States
- ImprintUniversity of California Press
- Content Note86 b&w illustrations
- Weight485 g
- Width175 mm
- Height251 mm
- Spine12 mm
- Format DetailsTrade paperback (US)
- Edition StatementNew edition
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