The Right to Play Oneself collects for the first time Thomas Waugh's essays on the politics, history, and aesthetics of documentary film, written between 1974 and 2008. The title, inspired by Walter Benjamin's and Joris Ivens's manifestos of committed documentary from the 19 0s, reflects the book's theme of the political potential of documentary for representing the democratic performance of citizens and artists.Waugh analyzes an eclectic international selection of films and issues from the 1920s to the present day. The essays provide a transcultural focus, moving from documentaries of the industrialized societies of North America and Europe to those of 1980s India and addressing such canical directors as Dziga Vertov, Emile de Antonio, Barbara Hammer, Rosa von Praunheim, and Anand Patwardhan. Woven through the volume is the relationship of the documentary with the history of the Left, including discussions of LGBT documentary pioneers and the firebrand collectives that changed the history of documentary, such as Challenge for Change and ACT UP's Women's Collective.Together with the introduction by the author, Waugh's essays advance a defiantly and persuasively personal point of view on the history and significance of documentary film.
Product Identifiers
Publisher
University of Minnesota Press
ISBN-10
0816645876
ISBN-13
9780816645879
eBay Product ID (ePID)
107727611
Product Key Features
Author
Thomas Waugh
Format
Paperback
Language
English
Subject
Film, TV & Radio
Type
Textbook
Dimensions
Weight
558g
Height
216mm
Width
140mm
Additional Product Features
Place of Publication
Minnesota
Spine
18mm
Series Title
Visible Evidence
Content Note
46 B&W Illustrations
Author Biography
Thomas Waugh Is Professor of Film Studies at Concordia University, Montreal.