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ARTISTIC DETACHMENT IN JAPAN AND THE WEST BY STEVE ODIN

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eBay item number:110558442438
Last updated on 06 Oct, 2019 03:47:36 BSTView all revisionsView all revisions

Item specifics

Condition
Like New: A book that has been read, but looks new. The book cover has no visible wear, and the dust ...
ISBN
9780824823740
Subject Area
Art, Body, Mind & Spirit, Philosophy, Social Science
Publication Name
Artistic Detachment in Japan and the West : Psychic Distance in Comparative Aesthetics
Publisher
University of Hawaii Press
Item Length
9 in
Subject
Parapsychology / General, Aesthetics, Customs & Traditions, History / General
Publication Year
2001
Type
Textbook
Format
Trade Paperback
Language
English
Author
Steve Odin
Item Weight
15 Oz
Item Width
6 in
Number of Pages
304 Pages

About this product

Product Identifiers

Publisher
University of Hawaii Press
ISBN-10
0824823745
ISBN-13
9780824823740
eBay Product ID (ePID)
1807491

Product Key Features

Number of Pages
304 Pages
Language
English
Publication Name
Artistic Detachment in Japan and the West : Psychic Distance in Comparative Aesthetics
Subject
Parapsychology / General, Aesthetics, Customs & Traditions, History / General
Publication Year
2001
Type
Textbook
Author
Steve Odin
Subject Area
Art, Body, Mind & Spirit, Philosophy, Social Science
Format
Trade Paperback

Dimensions

Item Weight
15 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
00-062034
Dewey Edition
21
Dewey Decimal
111/.85/09
Synopsis
Artistic Detachment in Japan and the West takes up the notion of artistic detachment, or psychic distance, as an intercultural motif for East-West comparative aesthetics. The work begins with an overview of aesthetic theory in the West from the eighteenth-century empiricists to contemporary aesthetics and concludes with a survey of various critiques of psychic distance. Throughout, the author takes a highly innovative approach by juxtaposing Western aesthetic theory against Eastern (primarily Japanese) aesthetic theory. Weaving between cultures and time periods, the author focuses on a remarkably wide range of theories: in the West, the Kantian notion of disinterested contemplation, Heidegger's Gelassenheit, semiotics, and pragmatism; in Japan, Zeami's notion of riken no ken, the Kyoto School's intepretation of nothingness, D. T. Suzuki's analysis of the function of no-mind, and the writings of Kuki Shuzo on Buddhist detachment. "Portrait of the artist" fiction by such writers as Henry James, James Joyce, Mori Ogai, and Natsume Soseki demonstrates how the main theme of detachment is expressed in literary traditions. The role of sympathy or pragmatism in relation to disinterest is examined, suggesting conflicts within or challenges to the notion of detachment. Researchers and students in Eastern and Western areas of study, including philosophers and religionists, as well as literary and cultural critics, will deem this work an invaluable contribution to cross-cultural philosophy and literary studies., Artistic Detachment in Japan and the West takes up the notion of artistic detachment, or psychic distance, as an intercultural motif for East-West comparative aesthetics. The work begins with an overview of aesthetic theory in the West from the eighteenth-century empiricists to contemporary aesthetics and concludes with a survey of various critiques of psychic distance. Throughout, the author takes a highly innovative approach by juxtaposing Western aesthetic theory against Eastern (primarily Japanese) aesthetic theory. Weaving between cultures and time periods, the author focuses on a remarkably wide range of theories: in the West, the Kantian notion of disinterested contemplation, Heidegger's Gelassenheit, semiotics, and pragmatism; in Japan, Zeami's notion of riken no ken, the Kyoto School's intepretation of nothingness, D. T. Suzuki's analysis of the function of no-mind, and the writings of Kuki Shuzo on Buddhist detachment. Portrait of the artist fiction by such writers as Henry James, James Joyce, Mori Ogai, and Natsume Soseki demonstrates how the main theme of detachment is expressed in literary traditions. The role of sympathy or pragmatism in relation to disinterest is examined, suggesting conflicts within or challenges to the notion of detachment. Researchers and students in Eastern and Western areas of study, including philosophers and religionists, as well as literary and cultural critics, will deem this work an invaluable contribution to cross-cultural philosophy and literary studies.
LC Classification Number
BH85.O34 2000
ebay_catalog_id
4
Copyright Date
2001
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