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Africa in Stereo: Modernism, Music, and Pan-African Solidarity
US $13.97
Approximately£11.02
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“very good condition”
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Located in: Worton, Maryland, United States
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eBay item number:114953974854
Item specifics
- Condition
- Very Good
- Seller notes
- “very good condition”
- Book Title
- see listing title / description / photos for title
- Title
- see listing title / description / photos for title
- MPN
- Illustrated
- Brand
- Oxford University Press
- Style
- ABIS_BOOK
- ISBN
- 9780199936397
- EAN
- 9780199936397
- Subject Area
- Music, Literary Criticism
- Publication Name
- Africa in Stereo : Modernism, Music, and Pan-African Solidarity
- Publisher
- Oxford University Press, Incorporated
- Item Length
- 6.1 in
- Subject
- Philosophy & Social Aspects, Comparative Literature, General, Semiotics & Theory, Ethnic, Subjects & Themes / General, African
- Publication Year
- 2014
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.9 in
- Item Weight
- 13.6 Oz
- Item Width
- 9.1 in
- Number of Pages
- 288 Pages
About this product
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0199936390
ISBN-13
9780199936397
eBay Product ID (ePID)
167878214
Product Key Features
Number of Pages
288 Pages
Language
English
Publication Name
Africa in Stereo : Modernism, Music, and Pan-African Solidarity
Publication Year
2014
Subject
Philosophy & Social Aspects, Comparative Literature, General, Semiotics & Theory, Ethnic, Subjects & Themes / General, African
Type
Textbook
Subject Area
Music, Literary Criticism
Format
Trade Paperback
Dimensions
Item Height
0.9 in
Item Weight
13.6 Oz
Item Length
6.1 in
Item Width
9.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2013-014042
Dewey Edition
23
Reviews
"Africa in Stereo raises the bar with new insights into both the sonic and visual realms of art. Transcriptions, performance, poetry, print and new media formats elucidate how Africans on the continent and in the diaspora have been engaged in a continuous dialogue and exchange of cultural particulars throughout the twentieth century. A major contribution is the author's willingness to move beyond a particular village or ethnic group (conventional units of ethnographic analysis) and focus instead on South Africa, Senegal and Ghana, drawing from an interesting array of archival materials to highlight and tease out the forces that made the impulse towards solidarity between Africa and the diaspora possible." -- Mumbua Kioko, Volume! The French journal of popular music studies"Meticulously researched, historically and politically exigent, and adventurous in its archival reach, Africa in Stereo is a path-breaking book that pulsates to the beat of literary, visual, sonic and cultural studies. Tsitsi Jaji has built a bold new sound system for diaspora studies that challenges us to listen closely to the crosscurrents of African aesthetic technologies that forge and inform our modern world." --Daphne Brooks, author of Bodies in Dissent: Spectacular Performances of Race and Freedom, 1850-1910"This book is unique in its attentiveness to the intricacies, significances and pleasures of listening, notation and reading. It recasts - with great subtlety and eloquence - our understanding o fthe sonic, visual, and literary practices used by Africans in the elaboration and pursuit of pan-Africanism at home and abroad." --Bhekizizwe Peterson, author of Monarchs, Missionaries, and African Intellectuals, "Africa in Stereo raises the bar with new insights into both the sonic and visual realms of art. Transcriptions, performance, poetry, print and new media formats elucidate how Africans on the continent and in the diaspora have been engaged in a continuous dialogue and exchange of cultural particulars throughout the twentieth century. A major contribution is the author's willingness to move beyond a particular village or ethnic group (conventional unitsof ethnographic analysis) and focus instead on South Africa, Senegal and Ghana, drawing from an interesting array of archival materials to highlight and tease out the forces that made the impulse towardssolidarity between Africa and the diaspora possible." -- Mumbua Kioko, Volume! The French journal of popular music studies"Meticulously researched, historically and politically exigent, and adventurous in its archival reach, Africa in Stereo is a path-breaking book that pulsates to the beat of literary, visual, sonic and cultural studies. Tsitsi Jaji has built a bold new sound system for diaspora studies that challenges us to listen closely to the crosscurrents of African aesthetic technologies that forge and inform our modern world." --Daphne Brooks, author of Bodies inDissent: Spectacular Performances of Race and Freedom, 1850-1910"This book is unique in its attentiveness to the intricacies, significances and pleasures of listening, notation and reading. It recasts - with great subtlety and eloquence - our understanding o fthe sonic, visual, and literary practices used by Africans in the elaboration and pursuit of pan-Africanism at home and abroad." --Bhekizizwe Peterson, author of Monarchs, Missionaries, and African Intellectuals, "Meticulously researched, historically and politically exigent, and adventurous in its archival reach, Africa in Stereo is a path-breaking book that pulsates to the beat of literary, visual, sonic and cultural studies. Tsitsi Jaji has built a bold new sound system for diaspora studies that challenges us to listen closely to the crosscurrents of African aesthetic technologies that forge and inform our modern world." --Daphne Brooks, author of Bodies in Dissent: Spectacular Performances of Race and Freedom, 1850-1910 "This book is unique in its attentiveness to the intricacies, significances and pleasures of listening, notation and reading. It recasts-with great subtlety and eloquence-our understanding of the sonic, visual, and literary practices used by Africans in the elaboration and pursuit of pan-Africanism at home and abroad." --Bhekizizwe Peterson, author of Monarchs, Missionaries, and African Intellectuals, "Africa in Stereo raises the bar with new insights into both the sonic and visual realms of art. Transcriptions, performance, poetry, print and new media formats elucidate how Africans on the continent and in the diaspora have been engaged in a continuous dialogue and exchange of cultural particulars throughout the twentieth century. A major contribution is the author's willingness to move beyond a particular village or ethnic group (conventional units of ethnographic analysis) and focus instead on South Africa, Senegal and Ghana, drawing from an interesting array of archival materials to highlight and tease out the forces that made the impulse towards solidarity between Africa and the diaspora possible." -- Mumbua Kioko, Volume! The French journal of popular music studies "Meticulously researched, historically and politically exigent, and adventurous in its archival reach, Africa in Stereo is a path-breaking book that pulsates to the beat of literary, visual, sonic and cultural studies. Tsitsi Jaji has built a bold new sound system for diaspora studies that challenges us to listen closely to the crosscurrents of African aesthetic technologies that forge and inform our modern world." --Daphne Brooks, author of Bodies in Dissent: Spectacular Performances of Race and Freedom, 1850-1910 "This book is unique in its attentiveness to the intricacies, significances and pleasures of listening, notation and reading. It recasts - with great subtlety and eloquence - our understanding o fthe sonic, visual, and literary practices used by Africans in the elaboration and pursuit of pan-Africanism at home and abroad." --Bhekizizwe Peterson, author of Monarchs, Missionaries, and African Intellectuals, "Meticulously researched, historically and politically exigent, and adventurous in its archival reach, Africa in Stereo is a path-breaking book that pulsates to the beat of literary, visual, sonic and cultural studies. Tsitsi Jaji has built a bold new sound system for diaspora studies that challenges us to listen closely to the crosscurrents of African aesthetic technologies that forge and inform our modern world." --Daphne Brooks, author of Bodies in Dissent: Spectacular Performances of Race and Freedom, 1850-1910 "This book is unique in its attentiveness to the intricacies, significances and pleasures of listening, notation and reading. It recasts - with great subtlety and eloquence - our understanding o fthe sonic, visual, and literary practices used by Africans in the elaboration and pursuit of pan-Africanism at home and abroad." --Bhekizizwe Peterson, author of Monarchs, Missionaries, and African Intellectuals
Illustrated
Yes
Dewey Decimal
809.896
Table Of Content
1. Stereomodernism And Amplifying The Black Atlantic2. Sight Reading: Early Black South African Transcriptions of Freedom3. Negritude Musicology: Poetry, Performance and Statecraft in Senegal4. What Women Want: Selling Hi-Fi in Consumer Magazines and Film5. "Soul to Soul": Echo-locating Histories of Slavery and Freedom from Ghana6. Pirate's Choice: Hacking into (Post-)Pan-African FuturesEpilogue: Singing SongsBibliographyNotes
Synopsis
Africa In Stereo examines the role that African American music has played in the pan-Africanist imagination since the end of the nineteenth century., Africa In Stereo examines the role that African American music has played in the pan-Africanist imagination since the end of the nineteenth century. Throughout, Jaji marshals a wide array of critical, archival, literary, visual, and sonic sources to craft an argument centered on the stereophonic echoes between three sites on the African continent emblematic of pan-Africanism (Ghana, Senegal, and South Africa) and black musical cultures in the US (as well as few other places on the diasporic landscape). Rather than take a purely musical tack that traces the influence of African American music on musical repertoires from Ghana, Senegal, and South Africa, Africa In Stereo beautifully shows how a US black popular musical genres inspired a host of writers and filmmakers such as Ousmane Sembene, John Akomfrah, Sol Plaatje, Léopold Senghor, K. Anyidoho, Charlotte Maxeke, Ken Bugul, as well as the glossy visual languages found in the early magazines Bingo (Senegal) and Zonk! (South Africa)., Africa in Stereo analyzes how Africans have engaged with African American music and its representations in the long twentieth century (1890-2011) to offer a new cultural history attesting to pan-Africanism's ongoing and open theoretical potential. Tsitsi Jaji argues that African American popular music appealed to continental Africans as a unit of cultural prestige, a site of pleasure, and most importantly, an expressive form already encoded with strategies of creative resistance to racial hegemony. Ghana, Senegal and South Africa are considered as three distinctive sites where longstanding pan-African political and cultural affiliations gave expression to transnational black solidarity. The book shows how such transnational ties fostered what Jaji terms "stereomodernism." Attending to the specificity of various media through which music was transmitted and interpreted-poetry, novels, films, recordings, festivals, live performances and websites-stereomodernism accounts for the role of cultural practice in the emergence of solidarity, tapping music's capacity to refresh our understanding of twentieth-century black transnational ties.
LC Classification Number
PL8010.J335 2014
ebay_catalog_id
4
Copyright Date
2014
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