CLASSIFICATION_METADATA
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Synopsis
"There is no one quite like Barbara Kingsolver in contemporary literature," raves the Washington Post Book World, and it is right. She has been nominated three times for the ABBY award, and her critically acclaimed writings consistently enjoy spectacular commercial success as they entertain and touch her legions of loyal fans. In High Tide in Tucson, she returns to her familiar themes of family, community, the common good and the natural world. The title essay considers Buster, a hermit crab that accidentally stows away on Kingsolver's return trip from the Bahamas to her desert home, and turns out to have manic-depressive tendencies. Buster is running around for all he's worth -- one can only presume it's high tide in Tucson. Kingsolver brings a moral vision and refreshing sense of humor to subjects ranging from modern motherhood to the history of private property to the suspended citizenship of human beings in the Animal Kingdom. Beautifully packaged, with original illustrations by well-known illustrator Paul Mirocha, these wise lessons on the urgent business of being alive make it a perfect gift for Kingsolver's many fans., Barbara Kingsolver has entertained and touched the lives of legions of readers with her critically acclaimed and bestselling novels The Bean Trees , Animal Dreams , and Pigs in Heaven . In these twenty-five newly conceived essays, she returns once again to her favored literary terrain to explore the themes of family, community, and the natural world. With the eyes of a scientist and the vision of a poet, Kingsolver writes about notions as diverse as modern motherhood, the history of private property, and the suspended citizenship of humans in the animal kingdom. Her canny pursuit of meaning from an inscrutable world compels us to find instructions for life in surprising places: a museum of atomic bomb relics, a West African voodoo love charm, a family of paper dolls, the ethics of a wild pig who persistently invades a garden, a battle of wills with a two-year-old, or a troop of oysters who observe high tide in the middle of Illinois. In sharing her thoughts about the urgent business of being alive, Kingsolver the essayist employs the same keen eyes, persuasive tongue, and understanding heart that characterize her acclaimed fiction. Defiant, funny, courageously honest, High Tide in Tucson proves once again that "there is no one quite like Barbara Kingsolver in contemporary literature."-- Washington Post Book World, "Clever. . . magical. . . beautifully crafted. Kingsolver spins you around the philosophic world a dozen times." -- Milwaukee Sentinel "There is no one quite like Barbara Kingsolver in contemporary literature," raves the Washington Post Book World, and it is right. Kingsolver's critically acclaimed writings always entertain and touch her legions of loyal fans. In High Tide in Tucson, she returns to her familiar themes of family, community, the common good, and the natural world. The title essay considers Buster, a hermit crab that accidentally stows away on Kingsolver's return trip from the Bahamas to her desert home, and turns out to have manic-depressive tendencies. Buster is running around for all he's worth--one can only presume it's high tide in Tucson. Kingsolver brings a moral vision and refreshing sense of humor to subjects ranging from modern motherhood to the history of private property to the suspended citizenship of human beings in the Animal Kingdom. Beautifully packaged, with original illustrations by illustrator Paul Mirocha, these wise lessons on the urgent business of being alive make it a perfect gift for Kingsolver's many fans., Barbara Kingsolver has entertained and touched the lives of legions of readers with her critically acclaimed and bestselling novels The Bean Trees, Animal Dreams, and Pigs in Heaven. In these twenty-five newly conceived essays, she returns once again to her favored literary terrain to explore the themes of family, community, and the natural world. With the eyes of a scientist and the vision of a poet, Kingsolver writes about notions as diverse as modern motherhood, the history of private property, and the suspended citizenship of humans in the animal kingdom. Her canny pursuit of meaning from an inscrutable world compels us to find instructions for life in surprising places: a museum of atomic bomb relics, a West African voodoo love charm, an iconographic family of paper dolls, the ethics of a wild pig who persistently invades a garden, a battle of wills with a two-year-old, or a troop of oysters who observe high tide in the middle of Illinois. In sharing her thoughts about the urgent business of being alive, kingsolver the essayist employs the same keen eyes, persuasive tongue, and understanding heart that characterize her acclaimed fiction.