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Boundaries by Lin, Maya

by Lin, Maya | PB | VeryGood
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US $5.75
ApproximatelyΒ£4.22
Condition:
Very Good
β€œMay have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend ”... Read moreAbout condition
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Located in: Aurora, Illinois, United States
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eBay item number:144834683569
Last updated on 10 Jun, 2025 22:33:27 BSTView all revisionsView all revisions

Item specifics

Condition
Very Good
A book that has been read and does not look new, but is in excellent condition. No obvious damage to the book cover, with the dust jacket (if applicable) included for hard covers. No missing or damaged pages, no creases or tears, no underlining or highlighting of text, and no writing in the margins. Some identifying marks on the inside cover, but this is minimal. Very little wear and tear. See the seller’s listing for full details and description of any imperfections. See all condition definitionsopens in a new window or tab
Seller notes
β€œMay have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend ...
Binding
Paperback
Weight
1 lbs
Product Group
Book
IsTextBook
No
ISBN
9780743299596

About this product

Product Identifiers

Publisher
Simon & Schuster
ISBN-10
0743299590
ISBN-13
9780743299596
eBay Product ID (ePID)
53565297

Product Key Features

Book Title
Boundaries
Number of Pages
224 Pages
Language
English
Topic
Individual Artists / General, Individual Architects & Firms / General, American / General, Buildings / Landmarks & Monuments
Publication Year
2006
Illustrator
Yes
Genre
Art, Architecture
Author
Maya Lin
Format
Trade Paperback

Dimensions

Item Height
0.5 in
Item Weight
18 Oz
Item Length
10 in
Item Width
7.7 in

Additional Product Features

Intended Audience
Trade
Dewey Edition
21
Reviews
"Is Lin an artist or an architect? Given her ability to maintain her aesthetic integrity in a string of projects that have won over both critics and the public, magician is more like it." -- Newsweek, "Her first book, "Boundaries," unfolds as an intimate pictorial memoir of Lin's journey in realizing her primary passion: 'sculpting the earth.'""-- Harper's Bazaar", "Is Lin an artist or an architect? Given her ability to maintain her aesthetic integrity in a string of projects that have won over both critics and the public, magician is more like it." -- "Newsweek", "Like everything connected with Lin,Boundariesis beautifully designed and beautifully written."--The Boston Globe, "Like everything connected with Lin," Boundaries" is beautifully designed and beautifully written."-- "The Boston Globe", "Some people perceive the world visually, like architects and sculptors. And others see the world through the prism of language, like writers. Maya Lin can do both. . . . A writer both concise and graceful on such abstract topics as art, vision, and design, Lin offers unique insights into how artists create."-- USA Today, "Like everything connected with Lin, Boundaries is beautifully designed and beautifully written." -- The Boston Globe, "Some people perceive the world visually, like architects and sculptors. And others see the world through the prism of language, like writers. Maya Lin can do both. . . . A writer both concise and graceful on such abstract topics as art, vision, and design, Lin offers unique insights into how artists create."--USA Today, "Like everything connected with Lin, Boundaries is beautifully designed and beautifully written."-- The Boston Globe, NewsweekIs Lin an artist or an architect? Given her ability to maintain her aesthetic integrity in a string of projects that have won over both critics and the public, magician is more like it., "This lovely book succeeds in two worlds: Lin wants you to read it and yet see it as an artbook. . . . Every page in her book is serene, thought-provoking, striking."--The Arizona Republic, "This lovely book succeeds in two worlds: Lin wants you to read it and yet see it as an art book. . . . Every page in her book is serene, thought-provoking, striking."-- "The Arizona Republic", "Some people perceive the world visually, like architects and sculptors. And others see the world through the prism of language, like writers. Maya Lin can do both. . . . A writer both concise and graceful on such abstract topics as art, vision, and design, Lin offers unique insights into how artists create."-- "USA Today", "Her first book,Boundaries, unfolds as an intimate pictorial memoir of Lin's journey in realizing her primary passion: 'sculpting the earth.'"-- Harper's Bazaar, "Some people perceive the world visually, like architects and sculptors. And others see the world through the prism of language, like writers. Maya Lin can do both. . . . A writer both concise and graceful on such abstract topics as art, vision, and design, Lin offers unique insights into how artists create." -- USA Today, "This lovely book succeeds in two worlds: Lin wants you to read it and yet see it as an artbook. . . . Every page in her book is serene, thought-provoking, striking."-- The Arizona Republic, "Her first book, Boundaries , unfolds as an intimate pictorial memoir of Lin's journey in realizing her primary passion: 'sculpting the earth.'" -- Harper's Bazaar, "Newsweek"Is Lin an artist or an architect? Given her ability to maintain her aesthetic integrity in a string of projects that have won over both critics and the public, "magician" is more like it., "This lovely book succeeds in two worlds: Lin wants you to read it and yet see it as an art book. . . . Every page in her book is serene, thought-provoking, striking."-- The Arizona Republic, "Is Lin an artist or an architect? Given her ability to maintain her aesthetic integrity in a string of projects that have won over both critics and the public, magician is more like it."-- Newsweek, "This lovely book succeeds in two worlds: Lin wants you to read it and yet see it as an art book. . . . Every page in her book is serene, thought-provoking, striking." -- The Arizona Republic, "Is Lin an artist or an architect? Given her ability to maintain her aesthetic integrity in a string of projects that have won over both critics and the public, magician is more like it."--Newsweek
Dewey Decimal
709/.2
Synopsis
Walking through this parklike area, the memorial appears as a rift in the earth -- a long, polished black stone wall, emerging from and receding into the earth. Approaching the memorial, the ground slopes gently downward, and the low walls emerging on either side, growing out of the earth, extend and converge at a point below and ahead. Walking into the grassy site contained by the walls of this memorial, we can barely make out the carved names upon the memorial's walls. These names, seemingly infinite in number, convey the sense of overwhelming numbers, while unifying these individuals into a whole....So begins the competition entry submitted in 1981 by a Yale undergraduate for the design of the "Vietnam Veterans Memorial" in Washington, D.C. -- subsequently called "as moving and awesome and popular a piece of memorial architecture as exists anywhere in the world." Its creator, Maya Lin, has been nothing less than world famous ever since. From the explicitly political to the un-ashamedly literary to the completely abstract, her simple and powerful sculpture -- the Rockefeller Foundation sculpture, the Southern Poverty Law Center "Civil Rights Memorial," the Yale "Women's Table, Wave Field" -- her architecture, including The Museum for African Art and the Norton residence, and her protean design talents have defined her as one of the most gifted creative geniuses of the age."Boundaries" is her first book: an eloquent visual/verbal sketchbook produced with the same inspiration and attention to detail as any of her other artworks. Like her environmental sculptures, it is a site, but one which exists at a remove so that it may comment on the personal and artistic elements that makeup those works. In it, sketches, photographs, workbook entries, and original designs are held together by a deeply personal text. "Boundaries" is a powerful literary and visual statement by "a leading public artist" (Holland Carter). It is itself a unique work of art., Renowned artist and architect Maya Lin's visual and verbal sketchbook--a unique view into her artwork and philosophy. Walking through this parklike area, the memorial appears as a rift in the earth -- a long, polished black stone wall, emerging from and receding into the earth. Approaching the memorial, the ground slopes gently downward, and the low walls emerging on either side, growing out of the earth, extend and converge at a point below and ahead. Walking into the grassy site contained by the walls of this memorial, we can barely make out the carved names upon the memorial's walls. These names, seemingly infinite in number, convey the sense of overwhelming numbers, while unifying these individuals into a whole.... So begins the competition entry submitted in 1981 by a Yale undergraduate for the design of the Vietnam Veterans Memorial in Washington, D.C. -- subsequently called "as moving and awesome and popular a piece of memorial architecture as exists anywhere in the world." Its creator, Maya Lin, has been nothing less than world famous ever since. From the explicitly political to the un-ashamedly literary to the completely abstract, her simple and powerful sculpture -- the Rockefeller Foundation sculpture, the Southern Poverty Law Center Civil Rights Memorial , the Yale Women's Table, Wave Field -- her architecture, including The Museum for African Art and the Norton residence, and her protean design talents have defined her as one of the most gifted creative geniuses of the age. Boundaries is her first book: an eloquent visual/verbal sketchbook produced with the same inspiration and attention to detail as any of her other artworks. Like her environmental sculptures, it is a site, but one which exists at a remove so that it may comment on the personal and artistic elements that make up those works. In it, sketches, photographs, workbook entries, and original designs are held together by a deeply personal text. Boundaries is a powerful literary and visual statement by "a leading public artist" (Holland Carter). It is itself a unique work of art., Walking through this parklike area, the memorial appears as a rift in the earth -- a long, polished black stone wall, emerging from and receding into the earth. Approaching the memorial, the ground slopes gently downward, and the low walls emerging on either side, growing out of the earth, extend and converge at a point below and ahead. Walking into the grassy site contained by the walls of this memorial, we can barely make out the carved names upon the memorial's walls. These names, seemingly infinite in number, convey the sense of overwhelming numbers, while unifying these individuals into a whole.... So begins the competition entry submitted in 1981 by a Yale undergraduate for the design of theVietnam Veterans Memorialin Washington, D.C. -- subsequently called "as moving and awesome and popular a piece of memorial architecture as exists anywhere in the world." Its creator, Maya Lin, has been nothing less than world famous ever since. From the explicitly political to the un-ashamedly literary to the completely abstract, her simple and powerful sculpture -- the Rockefeller Foundation sculpture, the Southern Poverty Law CenterCivil Rights Memorial, the YaleWomen's Table, Wave Field-- her architecture, including The Museum for African Art and the Norton residence, and her protean design talents have defined her as one of the most gifted creative geniuses of the age. Boundariesis her first book: an eloquent visual/verbal sketchbook produced with the same inspiration and attention to detail as any of her other artworks. Like her environmental sculptures, it is a site, but one which exists at a remove so that it may comment on the personal and artistic elements that make up those works. In it, sketches, photographs, workbook entries, and original designs are held together by a deeply personal text.Boundariesis a powerful literary and visual statement by "a leading public artist" (Holland Carter). It is itself a unique work of art., Lin--designer of the Vietnam Memorial, the Rockefeller Foundation sculpture, the Southern Poverty Law Center "Civil Rights Memorial," the Yale Women's Table, and Wave Field--presents her first book, an eloquent visual/verbal sketchbook produced with the same inspiration and attention to detail as any of her other artwork.
LC Classification Number
N

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