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Directing: Film Techniques and Aesthetics by Rabiger, Michael

by Rabiger, Michael | PB | VeryGood
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May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend ... Read moreAbout condition
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Item specifics

Condition
Very Good
A book that has been read and does not look new, but is in excellent condition. No obvious damage to the book cover, with the dust jacket (if applicable) included for hard covers. No missing or damaged pages, no creases or tears, no underlining or highlighting of text, and no writing in the margins. Some identifying marks on the inside cover, but this is minimal. Very little wear and tear. See the seller’s listing for full details and description of any imperfections. See all condition definitionsopens in a new window or tab
Seller notes
“May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend ...
Binding
Paperback
Weight
2 lbs
Product Group
Book
IsTextBook
Yes
ISBN
9780240808826
Subject Area
Performing Arts
Publication Name
Directing : Film Techniques and Aesthetics
Publisher
Taylor & Francis Group
Item Length
10.2 in
Subject
Film / General, Film / Direction & Production
Publication Year
2007
Type
Textbook
Format
Perfect
Language
English
Item Height
1.1 in
Author
Michael Rabiger
Item Weight
45.3 Oz
Item Width
7.3 in
Number of Pages
584 Pages

About this product

Product Information

Directing: Film Techniques and Aesthetics is a comprehensive manual that has inspired tens of thousands of readers worldwide to realize their artistic vision and produce well-constructed films. Filled with practical advice on every stage of production, this is the book you will return to throughout your career. Directing covers the methods, technologies, thought processes, and judgments that a director must use throughout the fascinating process of making a film. It emphasizes low-cost digital technology, which allows cutting-edge creativity and professionalism on shoestring budgets. And, recognizing that you learn best by doing, the book includes dozens of practical hands-on projects and activities to help you master technical and conceptual skills. Just as important as surmounting technological hurdles is the conceptual and authorial side of filmmaking. This book provides an unusually clear view of the artistic process, particularly in working with actors. It offers eminently practical tools and exercises to help you develop credible and compelling stories with your cast, hone your narrative skills, and develop your artistic identity. This book shows you how to surpass mere technical proficiency and become a storyteller with a distinctive voice and style. This edition has been streamlined and thoroughly revised for greater ease of use. Other updates include: * current information on digital technology * an expanded section on directing actors that cross-references thirty exercises * new questionnaires to help you pinpoint a film's aesthetic needs and assess where your vocational strengths lie; and much more. The companion web site includes teaching notes, checklists, and useful forms and questionnaires: www.focalpress.com/cw/rabiger

Product Identifiers

Publisher
Taylor & Francis Group
ISBN-10
0240808827
ISBN-13
9780240808826
eBay Product ID (ePID)
60729651

Product Key Features

Number of Pages
584 Pages
Language
English
Publication Name
Directing : Film Techniques and Aesthetics
Publication Year
2007
Subject
Film / General, Film / Direction & Production
Type
Textbook
Subject Area
Performing Arts
Author
Michael Rabiger
Format
Perfect

Dimensions

Item Height
1.1 in
Item Weight
45.3 Oz
Item Length
10.2 in
Item Width
7.3 in

Additional Product Features

Edition Number
4
LCCN
2007-017582
Dewey Edition
23
Reviews
"This is the single most valuable guide for both novice and seasoned practitioner...The new edition continues to be the comprehensive text for learning directing, integrating the rapid changes in technology with what was already a superbly detailed step-by-step text." - Jameson Goldner, professor of cinema at San Francisco State University "This is the only comprehensive book on filmmaking that I recommend to my students," Jeremy Kagan, USC Graduate Film School; Artistic Director Sundance Institute, "Michael Rabiger's book "Directing: Film Techniques and Aesthetics" is the gold standard. His attention to the artistry of directing, not merely the technical concerns, puts him in the first rank. Rabiger's taste, knowledge, and insight are even more finely honed in this new edition. For the novice or the seasoned pro, this book is a joy and a must." -Jared Rappaport, Chair of the Department of Cinema and Television Arts, California State University - Northridge "In its fourth edition, Directing remains as fresh and relevant as ever. Rabiger has devised a clear and eminently practical method for film directing which also promotes individual creative expression. By meticulously exploring drama, craft, process and artistic perspective, he demonstrates how to plunge into the heart of a screenplay and emerge with a film that reflects the heart of the director." -Mick Hurbis-Cherrier, Film Professor at Hunter College of the City University of New York, Filmmaker, and author of, "Voice & Vision: A Creative Approach to Narrative Film and DV Production" "As he has in previous editions of "Directing," Michael Rabiger continues to offer a complete and comprehensive overview of virtually all aspects of directing, from ideas to budgeting, from casting to editing. From my viewpoint there is no comparable book on the market." -Eric Swelstad, Department Chair - Media Arts, Los Angeles Valley College "A comprehensive introduction to directing that focuses heavily on the interpersonal and organizational aspects of the craft....For those about to embark on their debut short or feature, Directing offers a thorough manual that keeps one from having to learn everything the hard way." - American Cinematographer Praise for the 3rd Edition: "This is the single most valuable guide for both novice and seasoned practitioner...The new edition continues to be the comprehensive text for learning directing, integrating the rapid changes in technology with what was already a superbly detailed step-by-step text." - Jameson Goldner, professor of cinema at San Francisco State University "This is the only comprehensive book on filmmaking that I recommend to my students", Jeremy Kagan, USC Graduate Film School; Artistic Director Sundance Institute, "Michael Rabiger's book "Directing: Film Techniques and Aesthetics" is the gold standard. His attention to the artistry of directing, not merely the technical concerns, puts him in the first rank. Rabiger's taste, knowledge, and insight are even more finely honed in this new edition. For the novice or the seasoned pro, this book is a joy and a must." -Jared Rappaport, Chair of the Department of Cinema and Television Arts, California State University - Northridge "As he has in previous editions of "Directing," Michael Rabiger continues to offer a complete and comprehensive overview of virtually all aspects of directing, from ideas to budgeting, from casting to editing. From my viewpoint there is no comparable book on the market." -Eric Swelstad, Department Chair - Media Arts, Los Angeles Valley College Praise for the 3rd Edition: "This is the single most valuable guide for both novice and seasoned practitioner...The new edition continues to be the comprehensive text for learning directing, integrating the rapid changes in technology with what was already a superbly detailed step-by-step text." - Jameson Goldner, professor of cinema at San Francisco State University "This is the only comprehensive book on filmmaking that I recommend to my students," Jeremy Kagan, USC Graduate Film School; Artistic Director Sundance Institute, "Michael Rabiger's book "Directing: Film Techniques and Aesthetics" is the gold standard. His attention to the artistry of directing, not merely the technical concerns, puts him in the first rank. Rabiger's taste, knowledge, and insight are even more finely honed in this new edition. For the novice or the seasoned pro, this book is a joy and a must." -Jared Rappaport, Chair of the Department of Cinema and Television Arts, California State University - Northridge "As he has in previous editions of "Directing," Michael Rabiger continues to offer a complete and comprehensive overview of virtually all aspects of directing, from ideas to budgeting, from casting to editing. From my viewpoint there is no comparable book on the market." -Eric Swelstad, Department Chair - Media Arts, Los Angeles Valley College "A comprehensive introduction to directing that focuses heavily on the interpersonal and organizational aspects of the craft....For those about to embark on their debut short or feature, Directing offers a thorough manual that keeps one from having to learn everything the hard way." - American Cinematographer Praise for the 3rd Edition: "This is the single most valuable guide for both novice and seasoned practitioner...The new edition continues to be the comprehensive text for learning directing, integrating the rapid changes in technology with what was already a superbly detailed step-by-step text." - Jameson Goldner, professor of cinema at San Francisco State University "This is the only comprehensive book on filmmaking that I recommend to my students", Jeremy Kagan, USC Graduate Film School; Artistic Director Sundance Institute, "Michael Rabiger's book "Directing: Film Techniques and Aesthetics" is the gold standard. His attention to the artistry of directing, not merely the technical concerns, puts him in the first rank. Rabiger's taste, knowledge, and insight are even more finely honed in this new edition. For the novice or the seasoned pro, this book is a joy and a must." -Jared Rappaport, Chair of the Department of Cinema and Television Arts, California State University - Northridge "In its fourth edition, Directing remains as fresh and relevant as ever. Rabiger has devised a clear and eminently practical method for film directing which also promotes individual creative expression. By meticulously exploring drama, craft, process and artistic perspective, he demonstrates how to plunge into the heart of a screenplay and emerge with a film that reflects the heart of the director." -Mick Hurbis-Cherrier, Film Professor at Hunter College of the City University of New York, Filmmaker, and author of, "Voice & Vision: A Creative Approach to Narrative Film and DV Production" "As he has in previous editions of "Directing," Michael Rabiger continues to offer a complete and comprehensive overview of virtually all aspects of directing, from ideas to budgeting, from casting to editing. From my viewpoint there is no comparable book on the market." -Eric Swelstad, Department Chair - Media Arts, Los Angeles Valley College "A comprehensive introduction to directing that focuses heavily on the interpersonal and organizational aspects of the craft....For those about to embark on their debut short or feature, Directingoffers a thorough manual that keeps one from having to learn everything the hard way." - American Cinematographer Praise for the 3rd Edition: "This is the single most valuable guide for both novice and seasoned practitioner...The new edition continues to be the comprehensive text for learning directing, integrating the rapid changes in technology with what was already a superbly detailed step-by-step text." - Jameson Goldner, professor of cinema at San Francisco State University "This is the only comprehensive book on filmmaking that I recommend to my students", Jeremy Kagan, USC Graduate Film School; Artistic Director Sundance Institute
Target Audience
College Audience
Illustrated
Yes
Dewey Decimal
791.430233
Edition Description
Revised Edition,New Edition
Lc Classification Number
Pn1995.9.P7r26 2008
Table of Content
Artistic Identity* The Job of the Director* Identifying Your Themes as a Director* Developing Your Story Ideas* Checklist* Screencraft* Screen Grammar* Seeing with a Moviemaker's Eye* Shooting Projects* Checklist* Writing* The Screenplay* The Process of Writing* Adaptation from Art or Life* Story Development Strategies* Scene-Writing Exercises* Checklist* Aesthetics and Authorship* Point of View* Genre, Conflict, and Dialectics* Structure, Plot, and Time* Space, Stylized Environments, and Performances* Form and Style* Checklist* Preproduction* Interpreting the Script* Casting* Directing Actors* Actors' Problems* Improvisation Work to Explore Acting* Exercises with a Text* Rehearsal and Development* Director and Actor Prepare a Scene* Final Rehearsals and Planning Coverage* Checklist* Production* Developing a Crew* Mise en Scene Basics* Getting Ready to Shoot* Directing the Crew* Monitoring Progress* Checklist* Postproduction* Preparing to Edit* Editing the First Assembly* Editing from Rough Cut to Fine Cut* Editing: Finalization* Editing from Fine Cut to Sound Mix* Titles and Acknowledgments* Checklist* Career Track* Planning a Career* Major International Film/Video Schools* Breaking into the Industry* Checklist* Further Information* Glossary* Select Bibliography* Index
Copyright Date
2008

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