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Dove/o'Keeffe : Circles of Influence by Debra Bricker Balken (2009, Hardcover)

US $12.00
Approximately£8.94
Condition:
Very Good
Covers lightly soiled
Breathe easy. Free postage and returns.
Collection:
Free collection in person from Southold, New York, United States
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Located in: Southold, New York, United States
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eBay item number:145955810574
Last updated on 15 Feb, 2025 17:24:47 GMTView all revisionsView all revisions

Item specifics

Condition
Very Good
A book that has been read and does not look new, but is in excellent condition. No obvious damage to the book cover, with the dust jacket (if applicable) included for hard covers. No missing or damaged pages, no creases or tears, no underlining or highlighting of text, and no writing in the margins. Some identifying marks on the inside cover, but this is minimal. Very little wear and tear. See the seller’s listing for full details and description of any imperfections. See all condition definitionsopens in a new window or tab
Seller notes
“Covers lightly soiled”
ISBN
9780300134100

About this product

Product Identifiers

Publisher
Yale University Press
ISBN-10
030013410X
ISBN-13
9780300134100
eBay Product ID (ePID)
5038297535

Product Key Features

Book Title
Dove/O'keeffe : Circles of Influence
Number of Pages
168 Pages
Language
English
Publication Year
2009
Topic
Individual Artists / General, History / Modern (Late 19th Century to 1945), Subjects & Themes / Landscapes & Seascapes, Collections, Catalogs, Exhibitions / General, American / General, History / General
Illustrator
Yes
Genre
Art
Author
Debra Bricker Balken
Format
Hardcover

Dimensions

Item Height
0.1 in
Item Weight
34.5 Oz
Item Length
1.2 in
Item Width
0.8 in

Additional Product Features

Intended Audience
Trade
LCCN
2009-003345
Dewey Edition
22
Dewey Decimal
759.13
Synopsis
From the outset of her career, Georgia O'Keeffe credited her introduction to modernism as deriving in part from a reproduction of a pastel by Arthur Dove she saw around 1913. By this time Dove was well established as the foremost modernist artist in America, yet O'Keeffe herself would later become a source of renewal for his work. Renowned scholar Debra Bricker Balken here offers the first investigation into the interrelationship between these two great artists. She shows that while Dove's sensual evocations of landscape--his abstractions of nature's undulating rhythms and forms--offered inspiration for O'Keeffe, the influence of O'Keeffe's work on Dove was equally significant. After 1930, Dove turned to O'Keeffe's early works for renewed aesthetic inspiration, mining, as he put it, her "burning watercolors." Beyond examining the impact of these mutual influences, this beautifully illustrated publication situates Dove and O'Keeffe within the circle of Alfred Stieglitz, and brings them into a fuller context within the modernist scene of the 1920s and 1930s. What emerges is a fascinating look at the first pivotal moment of modernism in America., From the outset of her career, Georgia O'Keeffe credited her introduction to modernism as deriving in part from a reproduction of a pastel by Arthur Dove she saw around 1913. By this time Dove was well established as the foremost modernist artist in America, yet O'Keeffe herself would later become a source of renewal for his work. Renowned scholar Debra Bricker Balken here offers the first investigation into the interrelationship between these two great artists. She shows that while Dove's sensual evocations of landscape--his abstractions of nature's undulating rhythms and forms--offered inspiration for O'Keeffe, the influence of O'Keeffe's work on Dove was equally significant. After 1930, Dove turned to O'Keeffe's early works for renewed aesthetic inspiration, mining, as he put it, her "burning watercolors." Beyond examining the impact of these mutual influences, this beautifully illustrated publication situates Dove and O'Keeffe within the circle of Alfred Stieglitz, and brings them into a fuller context within the modernist scene of the 1920s and 1930s. What emerges is a fascinating look at the first pivotal moment of modernism in America. Distributed for the Sterling and Francine Clark Art Institute Exhibition Schedule: Sterling and Francine Clark Art Institute, Williamstown, Massachusetts (June 7 - September 7, 2009)
LC Classification Number
N6537.O39A4 2009b

Item description from the seller

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gomoeast

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