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Red Lights (New York Review Books Classics) by SIMENON, GEORGES, paperback, Use
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A book that has been read and does not look new, but is in excellent condition. No obvious damage to the book cover, with the dust jacket (if applicable) included for hard covers. No missing or damaged pages, no creases or tears, no underlining or highlighting of text, and no writing in the margins. Some identifying marks on the inside cover, but this is minimal. Very little wear and tear. See the seller’s listing for full details and description of any imperfections.
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Item specifics
- Condition
- ISBN
- 1590171934
About this product
Product Identifiers
Publisher
New York Review of Books, Incorporated, T.H.E.
ISBN-10
1590171934
ISBN-13
9781590171936
eBay Product ID (ePID)
51589033
Product Key Features
Original Language
French
Book Title
Red Lights
Number of Pages
144 Pages
Language
English
Publication Year
2006
Topic
Psychological, Thrillers / Suspense
Genre
Fiction
Book Series
New York Review Books Classics
Format
Perfect
Dimensions
Item Height
0.4 in
Item Weight
6.1 Oz
Item Length
7.9 in
Item Width
5 in
Additional Product Features
Intended Audience
Trade
LCCN
2006-014821
Reviews
"Simenon saved the deep, dark, bone-chilling stuff for his psychopathological thrillers, books he calledromans durs...Red Lightscharts a hellish road trip, fueled by bad choices and their twisted consequences, soaked through with existential dread." --Men's Journal,"15 Best Thrillers Ever Written" "Attention should be paid to the New York Review of Books' continuing reissues of Georges Simenon. Simenon was legendary both for his literary skillfour or five books every year for 40 yearsand his sexual capacity, at least to hear him tell it. What we can speak of with some certainty are the novels, which are tough, rigorously unsentimental and full of rage, duplicity and, occasionally, justice. Simenon's tone and dispassionate examination of humanity was echoed by Patricia Highsmith, who dispensed with the justice. So far, the Review has publishedTropic Moon, The Man Who Watched Trains Go By, Red Lights, Dirty SnowandThree Bedrooms in Manhattan;The Strangers in the Housecomes out in November. Try one, and you'll want to read more." The Palm Beach Post "The most extraordinary literary phenomenon of the twentieth century." Julian Symons "Theromans dursare extraordinary: tough, bleak, offhandedly violent, suffused with guilt and bitterness, redolent of place (Simenon is unsurpassed as a scenesetter), utterly unsentimental, frightening in the pitilessness of their gaze, yet wonderfully entertaining. They are also more philosophically profound than any of the fiction of Camus or Sartre, and far less self-conscious. This is existentialism with a backbone of tempered steel."John Banville,The New Republic "This is what attracts and holds me in him. He writes for 'the vast public,' to be sure, but delicate and refined readers find something for them too as soon as they begin to take him seriously. He makes one reflect; and this is close to being the height of art; how superior he is in this to those heavy novelists who do not spare us a single commentary! Simenon sets forth a particular fact, perhaps of general interest; but he is careful not to generalize; that is up to the reader."Andre Gide "The Hitchhiker[title of an earlier English edition ofRed Lights] is to date the best of Simenon's novels with American setting. A suburbanite, driven to occasional compulsive drinking by an unsatisfactory marriage, starts on a real bender while motoring to Maine. His wife abandons him; he picks up an escaped convict and confusedly feels that the man's criminality symbolizes the fulfillment of his own rebellion against convention. His sobering up, physically and spiritually, is a painful, convincing and rewarding process, and the novel skillfully uses the trappings of melodrama to explore psychological truth...a silken-smooth shocker, guaranteed to please all Simenon addicts."The New York Times "No non-American writer, at least none who writes in a language other than English, has done a better job of it.The angry couple inThe Hitchhiker[title for earlier English edition ofRed Lights] come across as real Americans, with some of our best qualities, as well as monstrous flaws."The Washington Post, "Just the thing to take your mind off $4 gas: a truly chilling road-trip novel about a couple on their way to Maine to collect the kids from camp-and the escaped con who joins them." -- New York Magazine "Simenon saved the deep, dark, bone-chilling stuff for his psychopathological thrillers, books he called romans durs ... Red Lights charts a hellish road trip, fueled by bad choices and their twisted consequences, soaked through with existential dread." -- Men's Journal, "15 Best Thrillers Ever Written" "Attention should be paid to the New York Review of Books' continuing reissues of Georges Simenon. Simenon was legendary both for his literary skillfour or five books every year for 40 yearsand his sexual capacity, at least to hear him tell it. What we can speak of with some certainty are the novels, which are tough, rigorously unsentimental and full of rage, duplicity and, occasionally, justice. Simenon's tone and dispassionate examination of humanity was echoed by Patricia Highsmith, who dispensed with the justice. So far, the Review has published Tropic Moon, The Man Who Watched Trains Go By, Red Lights, Dirty Snow and Three Bedrooms in Manhattan ; The Strangers in the House comes out in November. Try one, and you'll want to read more." The Palm Beach Post "The most extraordinary literary phenomenon of the twentieth century." Julian Symons "The romans durs are extraordinary: tough, bleak, offhandedly violent, suffused with guilt and bitterness, redolent of place (Simenon is unsurpassed as a scenesetter), utterly unsentimental, frightening in the pitilessness of their gaze, yet wonderfully entertaining. They are also more philosophically profound than any of the fiction of Camus or Sartre, and far less self-conscious. This is existentialism with a backbone of tempered steel."John Banville, The New Republic "This is what attracts and holds me in him. He writes for 'the vast public,' to be sure, but delicate and refined readers find something for them too as soon as they begin to take him seriously. He makes one reflect; and this is close to being the height of art; how superior he is in this to those heavy novelists who do not spare us a single commentary! Simenon sets forth a particular fact, perhaps of general interest; but he is careful not to generalize; that is up to the reader."Andre Gide " The Hitchhiker [title of an earlier English edition of Red Lights ] is to date the best of Simenon's novels with American setting. A suburbanite, driven to occasional compulsive drinking by an unsatisfactory marriage, starts on a real bender while motoring to Maine. His wife abandons him; he picks up an escaped convict and confusedly feels that the man's criminality symbolizes the fulfillment of his own rebellion against convention. His sobering up, physically and spiritually, is a painful, convincing and rewarding process, and the novel skillfully uses the trappings of melodrama to explore psychological truth...a silken-smooth shocker, guaranteed to please all Simenon addicts." The New York Times "No non-American writer, at least none who writes in a language other than English, has done a better job of it.The angry couple in The Hitchhiker [title for earlier English edition of Red Lights ] come across as real Americans, with some of our best qualities, as well as monstrous flaws." The Washington Post, "The most extraordinary literary phenomenon of the twentieth century." -Julian Symons "The "romans durs" are extraordinary: tough, bleak, offhandedly violent, suffused with guilt and bitterness, redolent of place (Simenon is unsurpassed as a scenesetter), utterly unsentimental, frightening in the pitilessness of their gaze, yet wonderfully entertaining. They are also more philosophically profound than any of the fiction of Camus or Sartre, and far less self-conscious. This is existentialism with a backbone of tempered steel."-John Banville, "The New Republic" "This is what attracts and holds me in him. He writes for the vast public, ' to be sure, but delicate and refined readers find something for them too as soon as they begin to take him seriously. He makes one reflect; and this is close to being the height of art; how superior he is in this to those heavy novelists who do not spare us a single commentary! Simenon sets forth a particular fact, perhaps of general interest; but he is careful not to generalize; that is up to the reader."-Andre Gide ""The Hitchhiker "[title of an earlier English edition of" Red Lights"] is to date the best of Simenon's novels with American setting. A suburbanite, driven to occasional compulsive drinking by an unsatisfactory marriage, starts on a real bender while motoring to Maine. His wife abandons him; he picks up an escaped convict and confusedly feels that the man's criminality symbolizes the fulfillment of his own rebellion against convention. His sobering up, physically and spiritually, is a painful, convincing and rewarding process, and the novel skillfully uses the trappings of melodrama to explore psychological truth...a silken-smoothshocker, guaranteed to please all Simenon addicts."-"The New York Times" "No non-American writer, at least none who writes in a language other than English, has done a better job of it.The angry couple in "The Hitchhiker" [title for earlier English edition of "Red Lights"] come across as real Americans, with some of our best qualities, as well as monstrous flaws."-"The Washington Post", "Just the thing to take your mind off $4 gas: a truly chilling road-trip novel about a couple on their way to Maine to collect the kids from campand the escaped con who joins them." -- New York Magazine "Simenon saved the deep, dark, bone-chilling stuff for his psychopathological thrillers, books he called romans durs ... Red Lights charts a hellish road trip, fueled by bad choices and their twisted consequences, soaked through with existential dread." -- Men's Journal, "15 Best Thrillers Ever Written" "Attention should be paid to the New York Review of Books' continuing reissues of Georges Simenon. Simenon was legendary both for his literary skillfour or five books every year for 40 yearsand his sexual capacity, at least to hear him tell it. What we can speak of with some certainty are the novels, which are tough, rigorously unsentimental and full of rage, duplicity and, occasionally, justice. Simenon's tone and dispassionate examination of humanity was echoed by Patricia Highsmith, who dispensed with the justice. So far, the Review has published Tropic Moon, The Man Who Watched Trains Go By, Red Lights, Dirty Snow and Three Bedrooms in Manhattan ; The Strangers in the House comes out in November. Try one, and you'll want to read more." The Palm Beach Post "The most extraordinary literary phenomenon of the twentieth century." Julian Symons "The romans durs are extraordinary: tough, bleak, offhandedly violent, suffused with guilt and bitterness, redolent of place (Simenon is unsurpassed as a scenesetter), utterly unsentimental, frightening in the pitilessness of their gaze, yet wonderfully entertaining. They are also more philosophically profound than any of the fiction of Camus or Sartre, and far less self-conscious. This is existentialism with a backbone of tempered steel."John Banville, The New Republic "This is what attracts and holds me in him. He writes for 'the vast public,' to be sure, but delicate and refined readers find something for them too as soon as they begin to take him seriously. He makes one reflect; and this is close to being the height of art; how superior he is in this to those heavy novelists who do not spare us a single commentary! Simenon sets forth a particular fact, perhaps of general interest; but he is careful not to generalize; that is up to the reader."Andre Gide " The Hitchhiker [title of an earlier English edition of Red Lights ] is to date the best of Simenon's novels with American setting. A suburbanite, driven to occasional compulsive drinking by an unsatisfactory marriage, starts on a real bender while motoring to Maine. His wife abandons him; he picks up an escaped convict and confusedly feels that the man's criminality symbolizes the fulfillment of his own rebellion against convention. His sobering up, physically and spiritually, is a painful, convincing and rewarding process, and the novel skillfully uses the trappings of melodrama to explore psychological truth...a silken-smooth shocker, guaranteed to please all Simenon addicts." The New York Times "No non-American writer, at least none who writes in a language other than English, has done a better job of it.The angry couple in The Hitchhiker [title for earlier English edition of Red Lights ] come across as real Americans, with some of our best qualities, as well as monstrous flaws." The Washington Post, "Attention should be paid to the New York Review of Books' continuing reissues of Georges Simenon. Simenon was legendary both for his literary skill-four or five books every year for 40 years-and his sexual capacity, at least to hear him tell it. What we can speak of with some certainty are the novels, which are tough, rigorously unsentimental and full of rage, duplicity and, occasionally, justice. Simenon's tone and dispassionate examination of humanity was echoed by Patricia Highsmith, who dispensed with the justice. So far, the Review has published "Tropic Moon, The Man Who Watched Trains Go By, Red Lights, Dirty Snow "and "Three Bedrooms in Manhattan"; "The Strangers in the House" comes out in November. Try one, and you'll want to read more." -"The Palm Beach Post" "The most extraordinary literary phenomenon of the twentieth century." -Julian Symons "The "romans durs" are extraordinary: tough, bleak, offhandedly violent, suffused with guilt and bitterness, redolent of place (Simenon is unsurpassed as a scenesetter), utterly unsentimental, frightening in the pitilessness of their gaze, yet wonderfully entertaining. They are also more philosophically profound than any of the fiction of Camus or Sartre, and far less self-conscious. This is existentialism with a backbone of tempered steel."-John Banville, "The New Republic" "This is what attracts and holds me in him. He writes for the vast public, ' to be sure, but delicate and refined readers find something for them too as soon as they begin to take him seriously. He makes one reflect; and this is close to being the height of art; how superior he is in this to those heavy novelists who do not spare us a single commentary!Simenon sets forth a particular fact, perhaps of general interest; but he is careful not to generalize; that is up to the reader."-Andre Gide ""The Hitchhiker "Ýtitle of an earlier English edition of" Red Lights"¨ is to date the best of Simenon's novels with American setting. A suburbanite, driven to occasional compulsive drinking by an unsatisfactory marriage, starts on a real bender while motoring to Maine. His wife abandons him; he picks up an escaped convict and confusedly feels that the man's criminality symbolizes the fulfillment of his own rebellion against convention. His sobering up, physically and spiritually, is a painful, convincing and rewarding process, and the novel skillfully uses the trappings of melodrama to explore psychological truth...a silken-smooth shocker, guaranteed to please all Simenon addicts."-"The New York Times" "No non-American writer, at least none who writes in a language other than English, has done a better job of it.The angry couple in "The Hitchhiker" Ýtitle for earlier English edition of "Red Lights"¨ come across as real Americans, with some of our best qualities, as well as monstrous flaws."-"The Washington Post", "Attention should be paid to the New York Review of Books' continuing reissues of Georges Simenon. Simenon was legendary both for his literary skillfour or five books every year for 40 yearsand his sexual capacity, at least to hear him tell it. What we can speak of with some certainty are the novels, which are tough, rigorously unsentimental and full of rage, duplicity and, occasionally, justice. Simenon's tone and dispassionate examination of humanity was echoed by Patricia Highsmith, who dispensed with the justice. So far, the Review has publishedTropic Moon, The Man Who Watched Trains Go By, Red Lights, Dirty SnowandThree Bedrooms in Manhattan;The Strangers in the Housecomes out in November. Try one, and you'll want to read more." The Palm Beach Post "The most extraordinary literary phenomenon of the twentieth century." Julian Symons "Theromans dursare extraordinary: tough, bleak, offhandedly violent, suffused with guilt and bitterness, redolent of place (Simenon is unsurpassed as a scenesetter), utterly unsentimental, frightening in the pitilessness of their gaze, yet wonderfully entertaining. They are also more philosophically profound than any of the fiction of Camus or Sartre, and far less self-conscious. This is existentialism with a backbone of tempered steel."John Banville,The New Republic "This is what attracts and holds me in him. He writes for 'the vast public,' to be sure, but delicate and refined readers find something for them too as soon as they begin to take him seriously. He makes one reflect; and this is close to being the height of art; how superior he is in this to those heavy novelists who do not spare us a single commentary! Simenon sets forth a particular fact, perhaps of general interest; but he is careful not to generalize; that is up to the reader."Andre Gide "The Hitchhiker[title of an earlier English edition ofRed Lights] is to date the best of Simenon's novels with American setting. A suburbanite, driven to occasional compulsive drinking by an unsatisfactory marriage, starts on a real bender while motoring to Maine. His wife abandons him; he picks up an escaped convict and confusedly feels that the man's criminality symbolizes the fulfillment of his own rebellion against convention. His sobering up, physically and spiritually, is a painful, convincing and rewarding process, and the novel skillfully uses the trappings of melodrama to explore psychological truth...a silken-smooth shocker, guaranteed to please all Simenon addicts."The New York Times "No non-American writer, at least none who writes in a language other than English, has done a better job of it.The angry couple inThe Hitchhiker[title for earlier English edition ofRed Lights] come across as real Americans, with some of our best qualities, as well as monstrous flaws."The Washington Post, "Just the thing to take your mind off $4 gas: a truly chilling road-trip novel about a couple on their way to Maine to collect the kids from campand the escaped con who joins them." --New York Magazine "Simenon saved the deep, dark, bone-chilling stuff for his psychopathological thrillers, books he calledromans durs...Red Lightscharts a hellish road trip, fueled by bad choices and their twisted consequences, soaked through with existential dread." --Men's Journal,"15 Best Thrillers Ever Written" "Attention should be paid to the New York Review of Books' continuing reissues of Georges Simenon. Simenon was legendary both for his literary skillfour or five books every year for 40 yearsand his sexual capacity, at least to hear him tell it. What we can speak of with some certainty are the novels, which are tough, rigorously unsentimental and full of rage, duplicity and, occasionally, justice. Simenon's tone and dispassionate examination of humanity was echoed by Patricia Highsmith, who dispensed with the justice. So far, the Review has publishedTropic Moon, The Man Who Watched Trains Go By, Red Lights, Dirty SnowandThree Bedrooms in Manhattan;The Strangers in the Housecomes out in November. Try one, and you'll want to read more." The Palm Beach Post "The most extraordinary literary phenomenon of the twentieth century." Julian Symons "Theromans dursare extraordinary: tough, bleak, offhandedly violent, suffused with guilt and bitterness, redolent of place (Simenon is unsurpassed as a scenesetter), utterly unsentimental, frightening in the pitilessness of their gaze, yet wonderfully entertaining. They are also more philosophically profound than any of the fiction of Camus or Sartre, and far less self-conscious. This is existentialism with a backbone of tempered steel."John Banville,The New Republic "This is what attracts and holds me in him. He writes for 'the vast public,' to be sure, but delicate and refined readers find something for them too as soon as they begin to take him seriously. He makes one reflect; and this is close to being the height of art; how superior he is in this to those heavy novelists who do not spare us a single commentary! Simenon sets forth a particular fact, perhaps of general interest; but he is careful not to generalize; that is up to the reader."Andre Gide "The Hitchhiker[title of an earlier English edition ofRed Lights] is to date the best of Simenon's novels with American setting. A suburbanite, driven to occasional compulsive drinking by an unsatisfactory marriage, starts on a real bender while motoring to Maine. His wife abandons him; he picks up an escaped convict and confusedly feels that the man's criminality symbolizes the fulfillment of his own rebellion against convention. His sobering up, physically and spiritually, is a painful, convincing and rewarding process, and the novel skillfully uses the trappings of melodrama to explore psychological truth...a silken-smooth shocker, guaranteed to please all Simenon addicts."The New York Times "No non-American writer, at least none who writes in a language other than English, has done a better job of it.The angry couple inThe Hitchhiker[title for earlier English edition ofRed Lights] come across as real Americans, with some of our best qualities, as well as monstrous flaws."The Washington Post, "The most extraordinary literary phenomenon of the twentieth century." Julian Symons "Theromans dursare extraordinary: tough, bleak, offhandedly violent, suffused with guilt and bitterness, redolent of place (Simenon is unsurpassed as a scenesetter), utterly unsentimental, frightening in the pitilessness of their gaze, yet wonderfully entertaining. They are also more philosophically profound than any of the fiction of Camus or Sartre, and far less self-conscious. This is existentialism with a backbone of tempered steel."John Banville,The New Republic "This is what attracts and holds me in him. He writes for 'the vast public,' to be sure, but delicate and refined readers find something for them too as soon as they begin to take him seriously. He makes one reflect; and this is close to being the height of art; how superior he is in this to those heavy novelists who do not spare us a single commentary! Simenon sets forth a particular fact, perhaps of general interest; but he is careful not to generalize; that is up to the reader."Andre Gide "The Hitchhiker[title of an earlier English edition ofRed Lights] is to date the best of Simenon's novels with American setting. A suburbanite, driven to occasional compulsive drinking by an unsatisfactory marriage, starts on a real bender while motoring to Maine. His wife abandons him; he picks up an escaped convict and confusedly feels that the man's criminality symbolizes the fulfillment of his own rebellion against convention. His sobering up, physically and spiritually, is a painful, convincing and rewarding process, and the novel skillfully uses the trappings of melodrama to explore psychological truth...a silken-smooth shocker, guaranteed to please all Simenon addicts."The New York Times "No non-American writer, at least none who writes in a language other than English, has done a better job of it.The angry couple inThe Hitchhiker[title for earlier English edition ofRed Lights] come across as real Americans, with some of our best qualities, as well as monstrous flaws."The Washington Post
Dewey Edition
22
Dewey Decimal
843/.912
Synopsis
It is Friday evening before Labor Day weekend. Americans are hitting the highways in droves; the radio crackles with warnings of traffic jams and crashed cars. Steve Hogan and his wife, Nancy, have a long drive aheadfrom New York City to Maine, where their children are in camp. But Steve wants a drink before they go, and on the road he wants another. Soon, exploding with suppressed fury, he is heading into that dark place in himself he calls "the tunnel." When Steve stops for yet another drink, Nancy has had enough. She leaves the car. On a bender now, Steve makes a friend: Sid Halligan, an escapee from Sing Sing. Steve tells Sid all about Nancy. Most men are scared, Steve thinks, but not Sid. The next day, Steve wakes up on the side of the road. His car has a flat, his money is gone, and there's one more thing still left for him to learn about Nancy, Sid Halligan, and himself., It is Friday evening before Labor Day weekend. Americans are hitting the highways in droves; the radio crackles with warnings of traffic jams and crashed cars. Steve Hogan and his wife, Nancy, have a long drive ahead--from New York City to Maine, where their children are in camp. But Steve wants a drink before they go, and on the road he wants another. Soon, exploding with suppressed fury, he is heading into that dark place in himself he calls "the tunnel." When Steve stops for yet another drink, Nancy has had enough. She leaves the car. On a bender now, Steve makes a friend: Sid Halligan, an escapee from Sing Sing. Steve tells Sid all about Nancy. Most men are scared, Steve thinks, but not Sid. The next day, Steve wakes up on the side of the road. His car has a flat, his money is gone, and there's one more thing still left for him to learn about Nancy, Sid Halligan, and himself.
LC Classification Number
PQ2637.I53F4813 2006
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- w***k (750)- Feedback left by buyer.Past monthVerified purchaseAnother satisfying transaction with Magers & Quinn, consistently reliable, books as described, wrapped securely and shipped promptly. A bookseller you can trust to deliver as advertised. Highly recommend. Thank you M & Q. 🌼🐝
- 4***6 (89)- Feedback left by buyer.Past yearVerified purchasei cannot say enough good things about this shop!! i was searching for one specific copy of this book for MONTHS. this shop was so responsive, answered all my questions to make sure it was the exact copy i was looking for, shipped quickly, came in perfect conditioner !!! amazing price. a million starsA Wizard's Guide to Defensive Baking by Kingfisher, T., paperback, Used - Very (#135473387614)
- t***. (776)- Feedback left by buyer.Past yearVerified purchaseItem as described. Super Fast shipping. Very well packaged, arrived very secure with bubble wrap envelope type package(not just a plain bag) and cardboard panel so the book doesn't bend. Great communication and very friendly service. Excellent seller and service. Thank you very much for your assistance and for your business! A+++Mel Bay Presents the Music of Django Reinhardt: Forty-Four Classic Solos by the (#146020019536)
- p***- (1100)- Feedback left by buyer.Past 6 monthsVerified purchaseGreat seller, item was as described and shipped fast. Excellent packaging, price, and communication. Item arrived as expected. Highly recommendedCannabis Healing: A Guide to the Therapeutic Use of CBD, THC, and Other Cannabi (#135208030874)
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- w***k (750)- Feedback left by buyer.Past monthVerified purchaseAnother satisfying transaction with Magers & Quinn, consistently reliable, books as described, wrapped securely and shipped promptly. A bookseller you can trust to deliver as advertised. Highly recommend. Thank you M & Q. 🌼🐝
- 4***6 (89)- Feedback left by buyer.Past yearVerified purchasei cannot say enough good things about this shop!! i was searching for one specific copy of this book for MONTHS. this shop was so responsive, answered all my questions to make sure it was the exact copy i was looking for, shipped quickly, came in perfect conditioner !!! amazing price. a million starsA Wizard's Guide to Defensive Baking by Kingfisher, T., paperback, Used - Very (#135473387614)
- t***. (776)- Feedback left by buyer.Past yearVerified purchaseItem as described. Super Fast shipping. Very well packaged, arrived very secure with bubble wrap envelope type package(not just a plain bag) and cardboard panel so the book doesn't bend. Great communication and very friendly service. Excellent seller and service. Thank you very much for your assistance and for your business! A+++Mel Bay Presents the Music of Django Reinhardt: Forty-Four Classic Solos by the (#146020019536)
- p***- (1100)- Feedback left by buyer.Past 6 monthsVerified purchaseGreat seller, item was as described and shipped fast. Excellent packaging, price, and communication. Item arrived as expected. Highly recommendedCannabis Healing: A Guide to the Therapeutic Use of CBD, THC, and Other Cannabi (#135208030874)