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The Problem of Consciousness in Modern Poetry Book, Underhill, Hugh
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Condition:
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A book that has been read, but is in good condition. Minimal damage to the book cover eg. scuff marks, but no holes or tears. If this is a hard cover, the dust jacket may be missing. Binding has minimal wear. The majority of pages are undamaged with some creasing or tearing, and pencil underlining of text, but this is minimal. No highlighting of text, no writing in the margins, and no missing pages. See the seller’s listing for full details and description of any imperfections.
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US $5.22 (approx £3.88) USPS Media MailTM.
Located in: Lynchburg, Virginia, United States
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eBay item number:176735975499
Item specifics
- Condition
- ISBN
- 9780521410335
About this product
Product Identifiers
Publisher
Cambridge University Press
ISBN-10
0521410339
ISBN-13
9780521410335
eBay Product ID (ePID)
472349
Product Key Features
Number of Pages
356 Pages
Publication Name
Problem of Consciousness in Modern Poetry
Language
English
Publication Year
1992
Subject
General, Poetry, Semiotics & Theory, European / English, Irish, Scottish, Welsh
Type
Textbook
Subject Area
Literary Criticism, Poetry
Format
Hardcover
Dimensions
Item Height
0.9 in
Item Weight
22 Oz
Item Length
8.7 in
Item Width
5.7 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
91-032360
Dewey Edition
20
TitleLeading
The
Illustrated
Yes
Dewey Decimal
821.91091
Table Of Content
Preface; Introduction: the inward revolution; 1. From Georgian origins to 'Romantic Primitivism': D. H. Lawrence and Robert Graves; 2. Strangers to nature: modern nature poetry and the rural myth; 3. The 'poetical character' of Edward Thomas; 4. 'Myself Must I Remake': W. B. Yeats; 5. 'Here and Now Cease to Matter' T. S. Eliot; 6. The Work of Man: Louis MacNeice and W. H. Auden; 7. 'Nothing of our Light': Ted Hughes; Conclusion; Notes; Select bibliography.
Synopsis
Modernist aesthetics have been identified with a sense of cultural crisis, defined by its distance from an ideal of unified consciousness. This original study examines the struggle toward that ideal of unitary subjective experience in modern British and Irish poetry from Hardy to Ted Hughes. Hugh Underhill argues that the poetry's emphasis on inner states underrepresents the extent to which the crisis is in fact socio-historically determined., Modernist aesthetics have been identified with a sense of cultural crisis, defined by its distance from an ideal of unified consciousness., Modernist aesthetics have been identified with a sense of cultural crisis, defined by its distance from an ideal of unified consciousness. This original study of the problem of consciousness in modern poetry examines the struggle towards that ideal of 'unitary' experience, through close readings of British and Irish poets from Hardy and the Georgian poets, through Lawrence, Edward Thomas, Yeats, Eliot, MacNiece and Auden, to Ted Hughes. Underhill argues that while their poetry is both a critique and an expression of crisis, its tendency to emphasize inner states and subjective experience has drawn attention away from the socio-historical dimensions of the problem. Poetry, as contemporary theories of consciousness remind us, is itself a socio-cultural institution and is answerable to outer as well as inner forces. Underhill examines these problems and paradoxes, showing how the impossibility of any stable notion of the unitary in our century can in fact be seen as an opportunity for creative choice and freedom.
LC Classification Number
PR605.M63 U53 1992
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