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Armando Revern

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US $17.94
Approximately£13.58
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Acceptable
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Last updated on 01 Aug, 2025 17:03:42 BSTView all revisionsView all revisions

Item specifics

Condition
Acceptable: A book with obvious wear. May have some damage to the book cover but the book is still ...
ISBN
9780870707117

About this product

Product Identifiers

Publisher
Museum of Modern Art
ISBN-10
0870707116
ISBN-13
9780870707117
eBay Product ID (ePID)
57572018

Product Key Features

Book Title
Armando Reverón
Number of Pages
240 Pages
Language
English
Publication Year
2007
Topic
Individual Artists / General, Collections, Catalogs, Exhibitions / General
Illustrator
Yes
Genre
Art
Author
John Elderfield
Format
Hardcover

Dimensions

Item Height
0.9 in
Item Weight
53.2 Oz
Item Length
10.3 in
Item Width
10.4 in

Additional Product Features

Intended Audience
Trade
Dewey Edition
22
Dewey Decimal
759.987
Synopsis
This first U.S. retrospective of the work of Armando Revern (1899-1954), exhibited this spring at The Museum of Modern Art, New York, introduces the celebrated Latin American artist to an international audience. Well-known in his native Venezuela, but little known outside Latin America, Revern deserves to be ranked alongside the great early European Modernists. By the 1920s, he had fused post-Impressionistic idioms with an extremely tactile surface and an almost monochromatic palette, creating unmistakably original paintings that are both mysterious and radical. In addition to Revern's paintings, the exhibition includes life-sized dolls and other objects that he and his partner, Juanita Ros, created to fill their secluded Caribbean home. Revern's figurative works seem to replicate the perceptual experience of puzzling out forms in shadowy interiors; increasingly over the years, the subjects of these paintings came to be not human beings but his own life-sized dolls. This volume, the first major publication on Revern in English, features more than 100 paintings, drawings, and objects, accompanied by texts by MoMA curators John Elderfield, Luis Prez-Oramas and Nora Lawrence., This first U.S. retrospective of the work of Armando Reverón (1899-1954), exhibited this spring at The Museum of Modern Art, New York, introduces the celebrated Latin American artist to an international audience. Well-known in his native Venezuela, but little known outside Latin America, Reverón deserves to be ranked alongside the great early European Modernists. By the 1920s, he had fused post-Impressionistic idioms with an extremely tactile surface and an almost monochromatic palette, creating unmistakably original paintings that are both mysterious and radical. In addition to Reverón's paintings, the exhibition includes life-sized dolls and other objects that he and his partner, Juanita Ríos, created to fill their secluded Caribbean home. Reverón's figurative works seem to replicate the perceptual experience of puzzling out forms in shadowy interiors; increasingly over the years, the subjects of these paintings came to be not human beings but his own life-sized dolls. This volume, the first major publication on Reverón in English, features more than 100 paintings, drawings, and objects, accompanied by texts by MoMA curators John Elderfield, Luis Pérez-Oramas and Nora Lawrence., This book is the first publication in English to examine the work of the celebrated Venezuelan artist Armando Reverón (1889-1954). Published to accompany the major exhibition at The Museum of Modern Art, it is vibrantly illustrated with Reverón's highly tactile landscapes and figurative works. John Elderfield introductory essay analyses the artist's work, while Luiz Pérez- Oramas places the artist in the context of Latin American art history., This first U.S. retrospective of the work of Armando Rever n (1899-1954), exhibited this spring at The Museum of Modern Art, New York, introduces the celebrated Latin American artist to an international audience. Well-known in his native Venezuela, but little known outside Latin America, Rever n deserves to be ranked alongside the great early European Modernists. By the 1920s, he had fused post-Impressionistic idioms with an extremely tactile surface and an almost monochromatic palette, creating unmistakably original paintings that are both mysterious and radical. In addition to Rever n's paintings, the exhibition includes life-sized dolls and other objects that he and his partner, Juanita R os, created to fill their secluded Caribbean home. Rever n's figurative works seem to replicate the perceptual experience of puzzling out forms in shadowy interiors; increasingly over the years, the subjects of these paintings came to be not human beings but his own life-sized dolls. This volume, the first major publication on Rever n in English, features more than 100 paintings, drawings, and objects, accompanied by texts by MoMA curators John Elderfield, Luis P rez-Oramas and Nora Lawrence., This first U.S. retrospective of the work of Armando Reveron (1899-1954), exhibited this spring at The Museum of Modern Art, New York, introduces the celebrated Latin American artist to an international audience. Well-known in his native Venezuela, but little known outside Latin America, Reveron deserves to be ranked alongside the great early European Modernists. By the 1920s, he had fused post-Impressionistic idioms with an extremely tactile surface and an almost monochromatic palette, creating unmistakably original paintings that are both mysterious and radical. In addition to Reveron's paintings, the exhibition includes life-sized dolls and other objects that he and his partner, Juanita Rios, created to fill their secluded Caribbean home. Reveron's figurative works seem to replicate the perceptual experience of puzzling out forms in shadowy interiors; increasingly over the years, the subjects of these paintings came to be not human beings but his own life-sized dolls. This volume, the first major publication on Reveron in English, features more than 100 paintings, drawings, and objects, texts by MoMA curators John Elderfield, Luis Perez-Oramas and Nora Lawrence, a brief chronology, a bibliography and an exhibition history.
LC Classification Number
ND439.R4

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