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Romancing the Folk: Public Memory and American Roots Music by Filene, Benjamin
by Filene, Benjamin | HC | Good
US $26.27
Approximately£20.80
Condition:
“Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, ”... Read moreAbout condition
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Located in: Aurora, Illinois, United States
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eBay item number:196345397635
Item specifics
- Condition
- Good
- Seller notes
- Binding
- Hardcover
- Weight
- 1 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 9780807825501
- Book Title
- Romancing the Folk : Public Memory and American Roots Music
- Book Series
- Cultural Studies of the United States Ser.
- Publisher
- University of North Carolina Press
- Item Length
- 9.2 in
- Publication Year
- 2000
- Format
- Hardcover
- Language
- English
- Illustrator
- Yes
- Item Height
- 1 in
- Genre
- Music, Social Science
- Topic
- History & Criticism, Genres & Styles / Folk & Traditional, General, Popular Culture, Genres & Styles / Pop Vocal
- Item Weight
- 3 Oz
- Item Width
- 6.1 in
- Number of Pages
- 344 Pages
About this product
Product Identifiers
Publisher
University of North Carolina Press
ISBN-10
0807825506
ISBN-13
9780807825501
eBay Product ID (ePID)
1586197
Product Key Features
Book Title
Romancing the Folk : Public Memory and American Roots Music
Number of Pages
344 Pages
Language
English
Publication Year
2000
Topic
History & Criticism, Genres & Styles / Folk & Traditional, General, Popular Culture, Genres & Styles / Pop Vocal
Illustrator
Yes
Genre
Music, Social Science
Book Series
Cultural Studies of the United States Ser.
Format
Hardcover
Dimensions
Item Height
1 in
Item Weight
3 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Trade
LCCN
99-054367
Reviews
Romancing the Folk proves a fascinating history of an idea and a shape-shifting body of song.New York Times Book Review, An important work that accurately places the idea of 'folk' and 'roots' music into a realistic context. Creative Loafing, A fascinating history of the shifting notions of what constitutes American folk music. New York Times Book Review, Romancing the Folk proves a fascinating history of an idea and a shape-shifting body of song. New York Times Book Review, An important work that accurately places the idea of 'folk' and 'roots' music into a realistic context.Creative Loafing
Dewey Edition
21
Dewey Decimal
781.62/13/00904
Synopsis
Benjamin Filene examines the competing visions of America's musical past--and the cultural middlemen who shaped these visions--that have vied for influence over the public imagination in this century. This book brings to light the relationship between folk or roots music and popular culture., In American music, the notion of "roots" has been a powerful refrain, but just what constitutes our true musical traditions has often been a matter of debate. As Benjamin Filene reveals, a number of competing visions of America's musical past have vied for influence over the public imagination in this century.Filene builds his story around a fascinating group of characters--folklorists, record company executives, producers, radio programmers, and publicists--who acted as middlemen between folk and popular culture. These cultural brokers "discovered" folk musicians, recorded them, and promoted them. In the process, Filene argues, they shaped mainstream audiences' understanding of what was "authentic" roots music.Filene moves beyond the usual boundaries of folk music to consider a wide range of performers who drew on or were drawn into the canon of American roots music--from Lead Belly and Woody Guthrie, to Muddy Waters and Willie Dixon, to Pete Seeger and Bob Dylan. Challenging traditional accounts that would confine folk music revivalism to the 1930s and 1960s, he argues instead that the desire to preserve and popularize America's musical heritage is a powerful current that has run throughout this century's culture and continues to flow today., In American music, the notion of "roots" has been a powerful refrain, but just what constitutes our true musical traditions has often been a matter of debate. As Benjamin Filene reveals, a number of competing visions of America's musical past have vied for influence over the public imagination in this century. Filene builds his story around a fascinating group of characters--folklorists, record company executives, producers, radio programmers, and publicists--who acted as middlemen between folk and popular culture. These cultural brokers "discovered" folk musicians, recorded them, and promoted them. In the process, Filene argues, they shaped mainstream audiences' understanding of what was "authentic" roots music. Filene moves beyond the usual boundaries of folk music to consider a wide range of performers who drew on or were drawn into the canon of American roots music--from Lead Belly and Woody Guthrie, to Muddy Waters and Willie Dixon, to Pete Seeger and Bob Dylan. Challenging traditional accounts that would confine folk music revivalism to the 1930s and 1960s, he argues instead that the desire to preserve and popularize America's musical heritage is a powerful current that has run throughout this century's culture and continues to flow today., In American music, the notion of "roots" has been a powerful refrain, but just what constitutes our true musical traditions has often been a matter of debate. As Benjamin Filene reveals, a number of competing visions of America's musical past have vied for influence over the public imagination in this century.Filene builds his story around a fascinating group of characters—folklorists, record company executives, producers, radio programmers, and publicists—who acted as middlemen between folk and popular culture. These cultural brokers "discovered" folk musicians, recorded them, and promoted them. In the process, Filene argues, they shaped mainstream audiences' understanding of what was "authentic" roots music.Filene moves beyond the usual boundaries of folk music to consider a wide range of performers who drew on or were drawn into the canon of American roots music—from Lead Belly and Woody Guthrie, to Muddy Waters and Willie Dixon, to Pete Seeger and Bob Dylan. Challenging traditional accounts that would confine folk music revivalism to the 1930s and 1960s, he argues instead that the desire to preserve and popularize America's musical heritage is a powerful current that has run throughout this century's culture and continues to flow today.
LC Classification Number
99-054367 [ML]
Copyright Date
2000
ebay_catalog_id
4
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