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The Hammer and the Flute: Women, Power, and Spirit Possession by Keller, Mary
by Keller, Mary | HC | VeryGood
US $20.58
Approximately£15.23
Condition:
“May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend ”... Read moreAbout condition
Very Good
A book that has been read and does not look new, but is in excellent condition. No obvious damage to the book cover, with the dust jacket (if applicable) included for hard covers. No missing or damaged pages, no creases or tears, no underlining or highlighting of text, and no writing in the margins. Some identifying marks on the inside cover, but this is minimal. Very little wear and tear. See the seller’s listing for full details and description of any imperfections.
- Buy it nowThe Hammer and the Flute: Women, Power, and Spirit Possession by Keller, Mary
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Located in: Aurora, Illinois, United States
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eBay item number:197325749385
Item specifics
- Condition
- Very Good
- Seller notes
- Binding
- Hardcover
- Book Title
- The Hammer and the Flute
- Weight
- 0 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 9780801867873
About this product
Product Identifiers
Publisher
Johns Hopkins University Press
ISBN-10
0801867878
ISBN-13
9780801867873
eBay Product ID (ePID)
1936767
Product Key Features
Number of Pages
304 Pages
Language
English
Publication Name
Hammer and the Flute : Women, Power, and Spirit Possession
Subject
Christianity / History, Christian Theology / Anthropology, Women's Studies, Supernatural
Publication Year
2002
Type
Textbook
Subject Area
Body, Mind & Spirit, Religion, Social Science
Format
Hardcover
Dimensions
Item Height
1 in
Item Weight
20.2 Oz
Item Length
9.2 in
Item Width
6.7 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2001-002461
TitleLeading
The
Dewey Edition
21
Reviews
"A welcome addition to scholarly literature on spirit possession. It provides an innovative exploration into the agency of women's possessed bodies and the way scholarly representations construct agency." -- Margaret J. Rausch, Journal of the American Academy of Religion, A welcome addition to scholarly literature on spirit possession. It provides an innovative exploration into the agency of women's possessed bodies and the way scholarly representations construct agency., [A] provocative exploration of possession theory... Keller is able to offer not only fresh insight into possession phenomena but also a penetrating critique of the categories and concepts with which it has been theorized., "Keller's argument for a revisioning of agency, women, and possession is important intervention. By bringing together an unusual mix of theorists and case studies, she makes a thoughtful contribution to the study of religion, gender, and post-colonial theory that raises provocative questions for all scholars of religion."--Pamela E. Klassen, History of Religions, "[A] provocative exploration of possession theory... Keller is able to offer not only fresh insight into possession phenomena but also a penetrating critique of the categories and concepts with which it has been theorized."-- Journal of Religion, Keller's argument for a revisioning of agency, women, and possession is important intervention. By bringing together an unusual mix of theorists and case studies, she makes a thoughtful contribution to the study of religion, gender, and post-colonial theory that raises provocative questions for all scholars of religion.
Grade From
College Graduate Student
Illustrated
Yes
Dewey Decimal
291.4/2
Table Of Content
Preface Introduction Part I: Reorienting Possession in Theory 1. Signifying Possession 2. Reorienting Possession 3. Flutes, Hammers, and Mounted Women Part 2: The Work, War, and Play of Possession 4. Work 5. War 6. Play(s) Conclusion Notes Bibliography Index
Synopsis
Feminist theory and postcolonial theory share an interest in developing theoretical frameworks for describing and evaluating subjectivity comparatively, especially with regard to non-autonomous models of agency. As a historian of religions, Mary Keller uses the figure of the "possessed woman" to analyze a subject that is spoken-through rather than speaking and whose will is the will of the ancestor, deity or spirit that wields her to engage the question of agency in a culturally and historically comparative study that recognizes the prominent role possessed women play in their respective traditions. Drawing from the fields of anthropology and comparative psychology, Keller brings the figure of the possessed woman into the heart of contemporary argument as an exemplary model that challenges many Western and feminist assumptions regarding agency. Proposing a new theoretical framework that re-orients scholarship, Keller argues that the subject who is wielded or played, the hammer or the flute, exercises a paradoxical authority--"instrumental agency"--born of their radical receptivity: their power derives from the communities' assessment that they no longer exist as autonomous agents. For Keller, the possessed woman is at once "hammer" and "flute," paradoxically powerful because she has become an instrument of the overpowering will of an ancestor, deity, or spirit. Keller applies the concept of instrumental agency to case studies, providing a new interpretation of each. She begins with contemporary possessions in Malaysia, where women in manufacturing plants were seized by spirits seeking to resacralize the territory. She next looks to wartime Zimbabwe, where female spirit mediums, the Nehanda mhondoro, declared the ancestors' will to fight against colonialism. Finally she provides an imaginative rereading of the performative power of possession by interpreting two plays, Euripides' Bacchae and S. Y. Ansky's The Dybbuk, which feature possessed women as central characters. This book can serve as an excellent introduction to postcolonial and feminist theory for graduate students, while grounding its theory in the analysis of regionally and historically specific moments of time that will be of interest to specialists. It also provides an argument for the evaluation of religious lives and their struggles for meaning and power in the contemporary landscape of critical theory., Award for the Best First Book in the History of Religions from the American Academy of Religion Feminist theory and postcolonial theory share an interest in developing theoretical frameworks for describing and evaluating subjectivity comparatively, especially with regard to non-autonomous models of agency. As a historian of religions, Mary Keller uses the figure of the "possessed woman" to analyze a subject that is spoken-through rather than speaking and whose will is the will of the ancestor, deity or spirit that wields her to engage the question of agency in a culturally and historically comparative study that recognizes the prominent role possessed women play in their respective traditions. Drawing from the fields of anthropology and comparative psychology, Keller brings the figure of the possessed woman into the heart of contemporary argument as an exemplary model that challenges many Western and feminist assumptions regarding agency. Proposing a new theoretical framework that re-orients scholarship, Keller argues that the subject who is wielded or played, the hammer or the flute, exercises a paradoxical authority--"instrumental agency"--born of their radical receptivity: their power derives from the communities' assessment that they no longer exist as autonomous agents. For Keller, the possessed woman is at once "hammer" and "flute," paradoxically powerful because she has become an instrument of the overpowering will of an ancestor, deity, or spirit. Keller applies the concept of instrumental agency to case studies, providing a new interpretation of each. She begins with contemporary possessions in Malaysia, where women in manufacturing plants were seized by spirits seeking to resacralize the territory. She next looks to wartime Zimbabwe, where female spirit mediums, the Nehanda mhondoro, declared the ancestors' will to fight against colonialism. Finally she provides an imaginative rereading of the performative power of possession by interpreting two plays, Euripides' Bacchae and S. Y. Ansky's The Dybbuk, which feature possessed women as central characters. This book can serve as an excellent introduction to postcolonial and feminist theory for graduate students, while grounding its theory in the analysis of regionally and historically specific moments of time that will be of interest to specialists. It also provides an argument for the evaluation of religious lives and their struggles for meaning and power in the contemporary landscape of critical theory.
LC Classification Number
BL482.K45 2001
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- v***v (2054)- Feedback left by buyer.Past monthVerified purchaseAlthough this book was not as described, with no picture of it in the listing, the seller communicated well and quickly gave me a full refund while letting me keep it. The minimal packaging left the book a bit vulnerable (typical for ThriftBooks), but it did arrive safely and timely. As usual, it’s hit or miss with this seller, but often times you can get great values, and their customer service is always very good. Many other sellers with millions of transactions don’t even communicate.
- a***r (375)- Feedback left by buyer.Past monthVerified purchasei am so happy to have every book of this series! the price of the book & the shipping is very reasonable! the book was as described & was in excellent condition! it was shipped quickly & arrived quickly! the books are always packaged carefully so they arrived undamaged! the communication from the sellers is always excellent--they go out of their way for excellent customer service! i have been a repeat customer from this seller & always will be! this seller is the best bookseller on ebay!