Color Theory for the Makeup Artist : Understanding Color and Light for Beauty and Special Effects by Katie Middleton (2018, Trade Paperback)

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By Middleton, Katie. Color Theory for the Make-Up Artist: Understanding Color and Light for Beauty and Special Effects.

About this product

Product Identifiers

PublisherRoutledge
ISBN-101138095257
ISBN-139781138095250
eBay Product ID (ePID)240557375

Product Key Features

Book TitleColor Theory for the Makeup Artist : Understanding Color and Light for Beauty and Special Effects
Number of Pages136 Pages
LanguageEnglish
Publication Year2018
TopicBeauty & Grooming, BODYART & Tattooing, Fashion, Theater / Stagecraft & Scenography, Anthropology / General, Color Theory
IllustratorYes
GenreArt, Performing Arts, Health & Fitness, Social Science, Crafts & Hobbies
AuthorKatie Middleton
FormatTrade Paperback

Dimensions

Item Height0.3 in
Item Weight11.2 Oz
Item Length9.3 in
Item Width7.5 in

Additional Product Features

Intended AudienceTrade
LCCN2017-055111
Reviews"I had the privilege of seeing this book prior to publication as well as in the finished form. As a Make-up Artist in the film and television industry for over 30 years, I am so pleased that this is now available as an excellent resource for any artist's education and practical work. This is a much needed work within the make-up field and will help artists raise their game. The concepts are clearly explained and illustrated with ample visual images. The application of color theory to all forms of make-up artistry is made simple, even fun, and will ignite the enthusiasm of the reader to see their craft in a whole new way... and want to start applying it immediately!" -Stan Edmonds, Department Head of Make-Up Design for Film and Television at Vancouver Film School (IATSE 891)
Table Of ContentACKNOWLEDGEMENTS FOREWORD INTRODUCTION CHAPTER 1: COLOR THEORY WHY WE SEE COLOR THE VISIBLE SPECTRUM CLASSIFYING COLOR THE COLOR WHEEL WARM & COOL COLORS PRIMARY COLORS SECONDARY COLORS TERTIARY COLORS COLOR RELATIONSHIPS COMPLEMENTARY COLORS COLOR SCHEMES THE 3 ATTRIBUTES OF COLOR HUE, VALUE, & INTENSITY CATEGORIZING COLORS MIXING COLOR TINTS, SHADES, & TONES LIGHT & DARK COLORS COLOR CONSTANCY COLOR SYSTEMS RYB CMY RGB ADDITIVE & SUBTRACTIVE COLOR OPTICAL ILLUSIONS IN COLOR SIMULTANEOUS CONTRAST OPTICAL MIXTURES AFTER-IMAGES IMPRESSIONISM POINTILLISM CHAPTER 2: PIGMENTS & DYES WHAT ARE PIGMENTS & DYES? PIGMENTS DYES EXAMPLES OF PIGMENTS & DYES PIGMENTS & DYES IN MAKE-UP CHARACTERISTICS OF PIGMENTS INORGANIC & ORGANIC PIGMENTS TRANSPARENCY & OPACITY PIGMENT VARIATIONS & MIXTURES CHAPTER 3: FLESH TONES PIGMENTS IN SKIN MAKING FLESH TONES FROM PRIMARY PIGMENTS COLOR BREAKDOWNS CHAPTER 4: APPLYING COLOR THEORY TO BEAUTY MAKE-UP MAKE-UP BASE COLORS UNDERTONES FOUNDATION MATCHING COLORED POWDERS CONCEALERS COLOR CORRECTION SHADOWS & HIGHLIGHTS ADDING COLOR: EYES, CHEEKS & LIPS EYES CHEEKS LIPS MAKE-UP DESIGN BREAKING THE RULES THINGS TO CONSIDER CHAPTER 5: APPLYING COLOR THEORY TO SPECIAL EFFECTS MAKE-UP COLORS IN THE BODY THE CIRCULATORY SYSTEM BLOOD BURNS, BRUISES & SCARS COLD & FROSTBITE SICKNESS & DEATH DIRT & MUD MAKING TATTOOS TEETH PAINTING PROSTHETIC APPLIANCES STIPPLING INTRINSIC COLOR WHEN TO ADD BLACK COLOR INSPIRATION FOR CHARACTER DESIGN PSYCHOLOGICAL EFFECTS OF COLOR COLORS IN NATURE CHAPTER 6: HOW LIGHTING AFFECTS COLOR LIGHTING YOUR WORKSPACE NATURAL LIGHT COLOR TEMPERATURE OF LIGHT LIGHT BULBS MAKEUP ROOMS & TRAILERS COLORED LIGHTING COLOR MIXING WITH LIGHT THREE CHARACTERISTICS OF COLORED LIGHT COLORED GELS ADDING WARM LIGHT ADDING COOL LIGHT LIGHTING FOR THEATER LIGHTING FOR FILM & TV 3 POINT LIGHTING EARLY FILM HD FILM LIGHTING FOR PHOTOGRAPHY COLOR GRADING CONCLUSION BIBLIOGRAPHY GLOSSARY
SynopsisColor Theory for the Make-up Artist: Understanding Color and Light for Beauty and Special Effects analyzes and explains traditional color theory for fine artists and shows how to apply it directly toward make-up applications Make-up artists control color the same way a painter does. They choose color palettes, match colors, blend new colors, and create designs on a canvas that is always changing. Some colors cancel others, some balance each other, and some oppose other colors. However, painters seldom have to consider inconsistencies in how their art will be lit and where it will be displayed the way that a make-up artists does. This book teaches how to mix any color using just red, yellow, blue, and white. It discusses the reason for variations in skin colors and undertones, and how to identify and match these using make-up, while choosing flattering colors for the eyes, lips, and cheeks. Colors found inside the body are explained for special effects make-up, like why we bruise, bleed, or appear sick, and ideas and techniques are also described for painting prosthetics. The book also explains how lighting affects color on film, television, theater, and photography sets, and how to properly light a workspace for successful applications. Whether you are a professional or a beginner, you will never stop learning. There will always be new products, techniques, and fashions - this book provides guidance and inspiration to keep practicing, creating, and honing your skills., Color Theory for the Make-up Artist: Understanding Color and Light for Beauty and Special Effects analyzes and explains traditional color theory for fine artists and applies it to the make-up artist. This book is suitable for both professionals and beginners who wish to train their eye further to understand and recognize distinctions in color. It explains why we see color, how to categorize and identify color, relationships between colors, and it relates these concepts to beauty and special effects make-up. The book teaches the reader how to mix flesh tones by using only primary colors, and explains how these colors in paints and make-up are sourced and created. It also discusses the reason for variations in skin colors and undertones, and how to identify and match these using make-up, while choosing flattering colors for the eyes, lips, and cheeks. Colors found inside the body are explained for special effects make-up, like why we bruise, bleed, or appear sick. Ideas and techniques are also described for painting prosthetics, in addition to using color as inspiration in make-up designs. The book also discusses how lighting affects color on film, television, theater, and photography sets, and how to properly light a workspace for successful applications.
LC Classification NumberRA778.C7185 2018

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  • Color understanding is essential to made up skin presentations

    It's very hard to get the quality of color in any book of make-up. This book does admirably with colors in the print edition. I've been reading about colors for a long time and this book adds to my understanding of color. I especially liked the discussion about the importance of lighting to get true colors in the skin. It was helpful to me. I actually plan to read the book several more times to make sure I didn't miss anything and to get the discussions in the book more fixed into my mind.

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