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The First Six Books Of The Elements Of Euclid Oliver Byrne HC 2013 Taschen
US $47.99
Approximately£35.94
Condition:
Very Good
A book that has been read and does not look new, but is in excellent condition. No obvious damage to the book cover, with the dust jacket (if applicable) included for hard covers. No missing or damaged pages, no creases or tears, no underlining or highlighting of text, and no writing in the margins. Some identifying marks on the inside cover, but this is minimal. Very little wear and tear. See the seller’s listing for full details and description of any imperfections.
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Postage:
US $6.72 (approx £5.03) USPS Media MailTM.
Located in: Stockton, Missouri, United States
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Estimated between Sat, 2 Aug and Thu, 7 Aug to 94104
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eBay item number:236175429092
Item specifics
- Condition
- ISBN
- 9783836544719
About this product
Product Identifiers
Publisher
Taschen
ISBN-10
3836544717
ISBN-13
9783836544719
eBay Product ID (ePID)
166468344
Product Key Features
Number of Pages
396 Pages
Publication Name
Elements of Euclid
Language
English
Publication Year
2013
Subject
Geometry / General, General
Type
Textbook
Subject Area
Mathematics, Art
Format
Hardcover
Dimensions
Item Height
1.5 in
Item Weight
52.6 Oz
Item Length
10.2 in
Item Width
8.3 in
Additional Product Features
Intended Audience
Trade
TitleLeading
The
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
516.2
Synopsis
Primary elements. Euclid in living color Nearly a century before Mondrian made geometrical red, yellow, and blue lines famous, 19th century mathematician Oliver Byrne employed the color scheme for the figures and diagrams in his most unusual 1847 edition of Euclid's Elements . The author makes it clear in his subtitle that this is a didactic measure intended to distinguish his edition from all others: "The Elements of Euclid in which coloured diagrams and symbols are used instead of letters for the greater ease of learners." As Surveyor of Her Majesty's Settlements in the Falkland Islands, Byrne had already published mathematical and engineering works previous to 1847, but never anything like his edition on Euclid. This remarkable example of Victorian printing has been described as one of the oddest and most beautiful books of the 19th century. Each proposition is set in Caslon italic, with a four-line initial, while the rest of the page is a unique riot of red, yellow, and blue. On some pages, letters and numbers only are printed in color, sprinkled over the pages like tiny wild flowers and demanding the most meticulous alignment of the different color plates for printing. Elsewhere, solid squares, triangles, and circles are printed in bright colors, expressing a verve not seen again on the pages of a book until the era of Dufy, Matisse, and Derain., Nearly a century before Mondrian made geometrical red, yellow, and blue lines famous, 19th century mathematician Oliver Byrne employed the color scheme for the figures and diagrams in his most unusual 1847 edition of Euclidrs"s Elements. The author makes it clear in his subtitle that this is a didactic measure intended to distinguish his edition from all others. This remarkable example of Victorian printing has been described as one of the oddest and most beautiful books of the 19th century., Primary elements: Euclid in living color Nearly a century before Mondrian made geometrical red, yellow, and blue lines famous, 19th century mathematician Oliver Byrne employed the color scheme for the figures and diagrams in his most unusual 1847 edition of Euclid's Elements . The author makes it clear in his subtitle that this is a didactic measure intended to distinguish his edition from all others: "The Elements of Euclid in which coloured diagrams and symbols are used instead of letters for the greater ease of learners." As Surveyor of Her Majesty's Settlements in the Falkland Islands, Byrne had already published mathematical and engineering works previous to 1847, but never anything like his edition on Euclid. This remarkable example of Victorian printing has been described as one of the oddest and most beautiful books of the 19th century. Each proposition is set in Caslon italic, with a four-line initial, while the rest of the page is a unique riot of red, yellow, and blue. On some pages, letters and numbers only are printed in color, sprinkled over the pages like tiny wild flowers and demanding the most meticulous alignment of the different color plates for printing. Elsewhere, solid squares, triangles, and circles are printed in bright colors, expressing a verve not seen again on the pages of a book until the era of Dufy, Matisse, and Derain. Text in English, French, and German
LC Classification Number
N7432.7
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